|
|
|
|
|
|
|
|
|
|
Course Criteria
Add courses to your favorites to save, share, and find your best transfer school.
-
3.00 Credits
Studies of European literature in translation dealing with selected periods, styles, genres, themes, and writers. Typical offerings are medieval literature, Tolstoy and Dostoyevsky, Romanticism, French novels, and Ibsen and Strindberg, (May be taken for credit twice under different subtitles.) Prerequisites: ENGL 170. Credits: 3(3-0) Offered when demand is sufficient
-
3.00 Credits
A study of Chaucer's major poetry read in the light of the literary, social, artistic, and philosophical concerns of the High Middle Ages. Prerequisites: ENGL 170. Credits: 3(3-0) Offered spring, even years
-
3.00 Credits
A study of the principal prose and poetical works against the background of the English Civil War. Prerequisites: ENGL 170. Credits: 3(3-0) Offered spring, odd years
-
3.00 Credits
A critical study of selected plays by Shakespeare, including close analyses of representative histories, comedies, tragedies, and romances, such as Richard II, A Midsummer Night's Dream, Othello, and The Tempest. Prerequisites: ENGL 170. Credits: 3(3-0) Offered every fall
-
3.00 Credits
A course which parallels Engl. 354 in offering a critical study of selected additional plays, including histories, comedies, tragedies, and romances such as 1 Henry IV, As You Like It, Macbeth, and The Winter's Tale. Prerequisites: ENGL 170. Credits: 3(3-0) Offered every spring
-
3.00 Credits
Comprehensive studies of the works of from one to three authors. (May be taken for credit twice under different subtitles.) Prerequisites: ENGL 170. Credits: 3(3-0)
-
3.00 Credits
This course considers the work of one to three film directors through a close examination of their films, and to explore "authorship"as a concept with a constantly evolving and historically contingent definition. In doing so, we will consider whether, when, and how a director and/or his or her biographical history is considered a substantial influence on a film's meaning. Crucially, we will consider these films in relation to their historical moments and audiences. Prerequisites: Another film course or permission of the instructor. Credits: 3(3-0) Offered when demand is sufficient
-
3.00 Credits
Readings in contemporary literature which have emerged out of different experiences of (de) colonization and asserted themselves by foregrounding their difference from the assumptions of the imperial center, e.g. Wilson Harris's Palace of the Peacock, V. S. Naipaul's The Mimic Men, Jean Rhys' WideSargasso Sea, Chinua Achebe's Things Fall Apart, Ama Ata Aidoo's Our Sister Killjoy, Maryse Condé's Heremakhonon, Zee Edgell'In Times Like These, Jamaica Kincaid's Annie John. Prerequisites: ENGL 170. Credits: 3(3- 0) Offered spring, even years
-
3.00 Credits
An historical survey of the English language, introducing the techniques of historical linguistic research and contrasting the phonology, grammar, and lexicon of Old and Middle English with that of Modern British and American English. Prerequisites: ENGL 170. Credits: 3(3-0) Offered fall, even years
-
3.00 Credits
A study of the literary accomplishments of Greece or Rome, or both, with emphasis on such genres as drama, epic, or lyric, and with Plato and Aristotle as philosophicalliterary background. Prerequisites: ENGL 170. Credits: 3(3-0) Offered when demand is sufficient
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Privacy Statement
|
Terms of Use
|
Institutional Membership Information
|
About AcademyOne
Copyright 2006 - 2025 AcademyOne, Inc.
|
|
|