Course Criteria

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  • 1.00 - 7.00 Credits

    Students engage in intense, pre-professional explorations of the art of drawing. Expectations are fluid with respect to media and conception;conventional and innovative approaches receive equal attention. The format of this course includes both seminar and studio/lab components. The seminar component includes instructor/student presentations, and discussion of assigned topic-driven readings. Studio/lab component concentrates on individual and group critical reviews of original visual art production.
  • 1.00 - 7.00 Credits

    Graduate level coursework in electronic media with an emphasis on concept development, the effective expression of ideas, and refining technical skills. Students develop individual projects and carry them from proposal stage to completion. Course activities include lectures, demos, student presentations, studio work, and critiques. The format of this course includes both seminar and studio/lab components.
  • 1.00 - 7.00 Credits

    Students in Graduate Painting are expected to concentrate on developing a personal artistic vision. Student work is enriched through contact with the ideas and experiences of the faculty, visiting artists and fellow students through research and critique of painting. Students acquire and practice new painting skills and explore ideas and images by generating paintings, drawings and works in other mediums that support their concepts. Consideration of works by contemporary and past artists challenges students to adhere to the highest standards and a deeper inquiry while developing a personal artistic sensibility in producing a unique body of work. The format of this course includes both seminar and studio/lab components.
  • 1.00 - 7.00 Credits

    Graduate Printmaking involves student-initiated research and creative projects in traditional and/or experimental printmaking at a technically and conceptually advanced level, with emphasis on the individual student's creative development. This course includes Individual and group critiques throughout the quarter; and lectures and field trips as appropriate. The format of this course includes both seminar and studio/lab components.
  • 1.00 - 7.00 Credits

    Individual research and experimentation through projects employing a variety of sculpture media. Graduate Sculpture is an interdisciplinary graduate critique and independent studio experience. Students will create artwork with an emphasis on three-dimensional form and interdisciplinary and multi-disciplinary practice is encouraged. Students are expected to work aggressively on evolving artistic goals taking advantage of the resources offered by the school and college. Students may use this course as a platform to develop their Graduate Thesis work. Students are expected to inform their artistic pursuits through attendance at exhibitions and lectures. In addition, students are to keep informed about contemporary art through periodicals, visiting artists and research. The format of this course includes both seminar and studio/lab components.
  • 1.00 - 7.00 Credits

    This course consists of graduate level research, experimentation, and production in any photographically-related media, with an emphasis on concept development and effective utilization of technique to express ideas. Assigned readings, in-depth critical analysis of artwork, field trips to galleries and museums, and visits with professionals in the field will serve to deepen and broaden the level of inquiry. Ongoing research appropriate to supporting the studio work is required. The format of this course includes both seminar and studio/lab components.
  • 3.00 Credits

    Students study critical theory from Modern and Postmodern periods as it relates to fine art in historical and contemporary contexts. Students read philosophical and aesthetics texts from the nineteenth century to the present, on which they conduct written and verbal analyses. Students are required to undertake research on specific critical theory texts and to direct classroom discussion in an appraisal of key philosophical concepts. Students are expected to develop links between the material studied in this seminar with their own studio practice as they prepare for their verbal presentation for first year Candidacy Review and in the writing of their final year Thesis. They demonstrate their grasp of these links through a final essay, through the design of their own critical theory syllabus, and through formal in-class presentations. This course addresses the need for young artists to be aware of current ideas informing the practice of contemporary art. It is designed to ensure that graduate students acquire the ability to analyze challenging philosophical and aesthetic concepts and to write and speak cogently about the relationship of such ideas to contemporary fine art practice.
  • 3.00 Credits

    In this course students will study an art-related topic which will differ each quarter, depending on the faculty teaching the course. Topics for the course might include but would not be limited to: investigation of the artists in a chosen international survey show, spectatorship in film, video, and contemporary visuality, the use of sound/music/noise in artwork, etc. Through its in-depth investigation of specific topics related to contemporary art practice, the course intends to address the ongoing need for young artists to be aware of current ideas that inform the practice of contemporary art. At all times students will be expected to develop links between the material studied in this seminar with their own studio practice as they prepare for their verbal presentation for first year Candidacy Review and in the writing of their final year Thesis. This course, as is the case with all fine art seminar courses, is designed to ensure that graduate students acquire the ability to analyze challenging art concepts and to write and speak cogently about the relationship of such ideas to contemporary fine art practice.
  • 3.00 Credits

    During the course, students will expand their understanding of contemporary art and professional practices. They will accomplish this by undertaking and completing the project described below, in class discussions, writing assignments, demonstrations, and a practicum project. Each student will research a contemporary artist from a continuously updated list and make a presentation on them to the class. The purpose of doing this project is to expand their knowledge of contemporary art and to further develop their range of understanding of critical and creative thinking. The presentation is not be merely a report but a creative piece of thinking/research/analysis. The presentation must make use of projected illustrations. Presenters follow their presentations by leading a class discussion on their artist. The best way to facilitate this is to prepare a few "loaded" questions about the artist's work. Presentations and discussions on each artist should last approximately 20 and 10 minutes respectively. There is also a practicum component to the course. The purpose of this is to familiarize students with the various practical applications of their art education and includes presentations on such topics as the Ohio Arts Council.
  • 1.00 - 5.00 Credits

    Independent Study is a course in which a single student works with a single faculty member on a project agreed-upon by the student, teacher, and department chair. In the written proposal for the course, the student may conduct research on a topic or create artwork. They will meet with the instructor at specially-arranged times to evaluate the success of their research or artwork.
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