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THEA 228: Dance Technique I: Tap
3.00 Credits
SUNY at Binghamton
Beginning tap training. Repeatable.
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THEA 228 - Dance Technique I: Tap
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THEA 230: Midi I
3.00 Credits
SUNY at Binghamton
MIDI (Musical Instrument Digital Interface) teaches the principles of acoustic, analog and digital sound production. Included are historical figures responsible for inventions and discoveries in this field. The course involves a three-hour lecture and two hours of lab each week. During lab times, students learn how to edit sounds in synthesizers and to digitally record and manipulate sounds into software sequencers. They also are required to create a printout of musical notation. No prerequisites are required for this course; no previous knowledge of computers or musical theory is required. MIDI is offered at eight levels, with MIDI II - VIII only for advanced students to create their own projects, tailored to their individual needs. Prerequisite: consent of instructor.
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THEA 230 - Midi I
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THEA 246: Theatrical Makeup Techniques
3.00 Credits
SUNY at Binghamton
Gives the actor a way to transform the basic tool of all Theatre: the human body, specifically the face and skin, through painting and 3-D techniques to support the characterization created by the actor. Good makeup design translates the skills of a character analysis from acting and design classes into the visual language of how the audience perceives the human face. Students learn to idealize and perfect the appearance, to amplify shortcomings in scale and type and to artificially create the age and experience that appear in everyone's faces as they go through life. In addition to realistic transformations of the face, students also learn to go beyond reality to hyperbole and fantasy: to theatricalize the face into a highly expressive tool of the acting trade.
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THEA 246 - Theatrical Makeup Techniques
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THEA 286-289: Special Topics ù Introductory
1.00 - 4.00 Credits
SUNY at Binghamton
Specific subjects in Theatre and dance history, theory or studio. Theatre faculty and guest artists in specialized areas of expertise. Individual sections have specific titles. May be repeated for credit if specific topics are different. 1-4 cr.
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THEA 286-289 - Special Topics ù Introductory
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THEA 302: History of Costume And Decor
3.00 Credits
SUNY at Binghamton
Introduction to the history of clothing and interior design as they relate to one another and to world history. Primarily Western culture, with a touch of non-Western. Covers the periods and places most often appearing in Western drama. Involves research projects and class presentations. Introduces a large amount of vocabulary about costume and interior design, as well as the artists and art movements that may be used to reach a period or place.
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THEA 302 - History of Costume And Decor
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THEA 303: Dance on Film And Video
3.00 Credits
SUNY at Binghamton
This course will consider and view the work of the 20th-century dance artists including Fred Astaire and Ginger Rogers, Bob Fosse, Jerome Robbins, Baryshnikov and many others. Course will look at concert dance as well as popular film. Each student will be responsible for two presentations, a relatively brief biographical introduction to a film the instructor will provide, and an in-depth analysis of that film.
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THEA 303 - Dance on Film And Video
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THEA 304: History of The Theatre
3.00 Credits
SUNY at Binghamton
A chronological exploration of players and practices from the ancient Greeks to the beginnings of realism (c.1875). Through reading and visual presentations, investigates the evolution of playing spaces, theatrical conventions, technology, artistry and dramatic form. Periodic discussions of Asian drama complement the traditional focus on Western theatrical forms. Serves as a prerequisite for advanced Theatre history courses.
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THEA 304 - History of The Theatre
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THEA 307: Intermediate Acting: Meisner
3.00 Credits
SUNY at Binghamton
Through the presentation and analysis of a series of prepared structured improvisations this class focuses on disciplining the truth of the actor's behavior, paring away what is unnecessary and helping the actor achieve an uninhibited revelation of his or her inner life. Exercises must be prepared outside of class. Scenes from selected dramatic works are presented during semester. Students are responsible for reading all plays from which scenes are presented. Scenes must be prepared outside of class. Prerequisite: THEA 207. Students are encouraged to take 310 and 311 concurrently with this course. Repeatable.
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THEA 307 - Intermediate Acting: Meisner
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THEA 308: Intermediate Acting: Scene Study I
3.00 Credits
SUNY at Binghamton
Intended to serve interested students who wish to continue the study of acting in greater depth. Through scene performance, discussion and exercises, students are exposed to progressively more challenging acting methods and styles. Three scene presentations required, with accompanying written analysis. Prerequisite: THEA 207. Students are encouraged to take 310 and 311 concurrently with this course. Repeatable.
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THEA 308 - Intermediate Acting: Scene Study I
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THEA 309: Performance And Modern Culture
3.00 Credits
SUNY at Binghamton
A study of how Theatre, performance art and dance concepts and styles evolve. The course is a decade-by-decade study ù from 1890 to 1990 ù of the relationship between performance and social phenomena.
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THEA 309 - Performance And Modern Culture
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