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FIS 418: Writing for Television I
6.00 Credits
University of Nevada-Las Vegas
With emphasis on the narrative exploration of the television hour-drama, students develop and complete one hour-drama spec script. May be repeated to a maximum of six credits. Prerequisites: FIS 220. 3 credits.
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FIS 419: Writing for Television II
6.00 Credits
University of Nevada-Las Vegas
As a continuation of FIS 418, students explore the television situation comedy and develop and complete one sit-com script. May be repeated to a maximum of six credits. Prerequisites: FIS 418. 3 credits.
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FIS 420: Film Production III
3.00 Credits
University of Nevada-Las Vegas
Advanced motion picture production techniques in 16mm. Course involves both group and individual production projects. Prerequisite: FIS 320. 3 credits. College of Fine Arts 195
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FIS 432: Industry vs.Artistry in Film and Television
3.00 Credits
University of Nevada-Las Vegas
(Same as COM 432.) Explores relationship between art and economics in film and television by examining industry structures, philosophies, and practices which shape contemporary mass entertainment. Prerequisite: Junior standing. 3 credits.
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FIS 440: The European Film
3.00 Credits
University of Nevada-Las Vegas
Survey of the major movements and themes of European cinema and related literature. 3 credits.
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FIS 441: Drama and Film of German Expressionism
3.00 Credits
University of Nevada-Las Vegas
(Same as FOL 441 and GER 441.) Examination of German film and literature of the 1910s and 1920s. 3 credits.
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FIS 443: From French Literature to Film
3.00 Credits
University of Nevada-Las Vegas
(Same as FREN 443 and FOL 443.) From a condensed analysis of narrative techniques and structure of original literary sources toward a detailed study of the basic problems connected with the grammar of film. Students expected to read the original literary work in translation and/or script if available. 3 credits.
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FIS 444: Documentary Film and Video
3.00 Credits
University of Nevada-Las Vegas
Critical analysis of documentary film texts from historical and aesthetic perspectives. How non-fiction film differentiates itself from classical narrative and experimental/avant-garde film. 3 credits.
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FIS 446: History of the Russian Film
3.00 Credits
University of Nevada-Las Vegas
(Same as HIST 446.) Soviet cinema from the revolutionary films and path-breaking theories of the 1920s (Eisenstein, Pudovkin, Vertov, Dovzhenko, and Kuleshov), through the constrictions of Socialist Realism, to the revival of a proud tradition in the decades since Stalin. Emphasis on Russian cultural traditions, contemporary historical context, and the demands of ideology. 3 credits.
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FIS 449: The History of French Film
3.00 Credits
University of Nevada-Las Vegas
(Same as FREN 449.) Survey and evolution of French film from silent to sound: surrealism, realism, and the New Wave. Includes the work of major filmmakers such as Clair, Renoir, Cocteau, Clouzot, Godard, Truffaut, etc. Films analyzed as works of art, social documents, and instruments of communication. 3 credits.
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