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Course Criteria
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3.00 Credits
Theory and practice in writing business letters, memos and reports. Includes study of basic communication theory as it applies to writing in these forms. Prerequisite: EN 1110/1120, or EN 1140, or EN 1150.
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3.00 Credits
This course focuses on four overlapping kinds of written applications based on network technology: e-mail, information sharing, document management, and office automation. With an ongoing emphasis on technologically based writing that incorporates the best of information available on the Internet, the World Wide Web, and developing multimedia technologies, the course's purpose is to familiarize the student with the literacy requirements of the 21st century in a technological setting. Prerequisite: EN 1110/1120, or EN 1140, or EN 1150.
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3.00 Credits
The primary focus of this course is Chaucer's writing. The course begins with his earlier poetry and moves to an in-depth study of The Canterbury Tales. To gain greater insight into Chaucer's works and his world, students are also introduced to short pieces by other writers of the period, as well as to the art, the music, the social background of the period. Prerequisite: EN 1110/1120, or EN 1140, or EN 1150.
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3.00 Credits
An intensive study of the poetry and plays of Shakespeare in their language, structure, backgrounds, characters, and criticism for English majors and those with a deep interest in Shakespeare. Selections are made from the range of Shakespeare's works. Prerequisite: EN 1110/1120, or EN 1140, or EN 1150. (LTII)
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3.00 Credits
An intensive study of a different selection of the poetry and plays of Shakespeare in language, structure, backgrounds, characters, and criticism for English majors and those with a deep interest in Shakespeare. Selections are made from the range of Shakespeare's works. Prerequisite: EN 1110/1120, or EN 1140, or EN 1150. (LTII)
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3.00 Credits
This course is designed as a survey of the major plays and sonnets of Shakespeare chosen from the comedies, tragedies, and final romances along with a comparative study of the drama of other great Renaissance playwrights like Webster, Ford, and Marlowe. It studies the drama as a genre that encompasses several sub-genres and look at Elizabethan language usage, backgrounds, character, and literary criticism of the dramas. Prerequisite: EN 1110/1120, or EN 1140, or EN 1150. (LTII)
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3.00 Credits
Exploring major themes of Restoration and 18th Century British Literature, e.g., human sinfulness, social unrest, political corruption, economic change, the course focuses upon political and social satirists like Dryden, Swift, and Pope; novelists like DeFoe, Fielding, and Richardson; dramatists like Dryden, Wycherley, and Sheridan; essayists like Addison, Steele, and Johnson; and, above all, poets like Dryden, Swift, Pope, Johnson, Smart and Collins. Prerequisite: EN 1110/1120, or EN 1140, or EN 1150. (LTII)
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3.00 Credits
Early influences and major trends in the development of the English novel. Emphasis on the form and themes of prose fiction as they appear in Richardson, Fielding, Austen, Scott, Emily Bront , Dickens, Thackeray, Eliot, Hardy, Conrad, Forster, Lawrence and Joyce. Prerequisite: EN 1110/1120, or EN 1140, or EN 1150. (LTII)
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3.00 Credits
An intensive study of selections from the body of Jane Austen's work, the course is divided into three areas of interest. The primary focus begins on two representative novels, their place in Austen's developing technique, and a review of the criticisms - both historical and present day - that influenced readers of the novels from the beginning until now. The middle section of the course centers on selected letters and excerpts from influential biographical works. The final highlight of the course is the viewing and reviewing of the recent revival of Austen's work in the cinema and the critical response thereto. Prerequisite: EN 1110/1120, or EN 1140, or EN 1150. (LT
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3.00 Credits
Exploring major themes of English Romanticism, e.g., rebellion, self-assertion, primacy of feelings, imaginative perception, the course focuses upon social critics like Mary Wollstonecraft and Thomas Paine; novelists like Mary Shelley and the Bront sisters; and, above all, poets like Blake, Wordsworth, Coleridge, Byron, Shelley and Keats. Prerequisite: EN 1110/1120, or EN 1140, or EN 1150, and one Level I Literary Mode course. (LTII)
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