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  • 1.00 Credits

    The "Romantic Movement" has been viewed in various ways, including in terms of political and social upheavals, such as the revolutions in America and France; in terms of a specific group of English writers, the first generation (Blake, Wordsworth, Coleridge) and second generation (Byron, Shelley, Keats) of British Romantic poets; in terms of a broad intellectual movement that affected the fine arts, music, and literature on the Continent and America as well as in Britain. This course will take up topics drawn most often from the literature of Britain in the period 1789-1850, but may from time to time focus on other writers from Continental Europe or America. Prerequisites: ENG-114, ENG-115 or ENG-116, ENG-121 or ENG-122. WRITD, Fall semester, even years
  • 1.00 Credits

    During the Victorian era, England reached its pinnacle of power and prestige. Its trade was four times that of the United States, France, Germany, and Italy combined. It had established a world empire. England also experienced the upheavals of the Irish Rebellion, the Women's Movement, Industrialism, Darwinism, and foreign wars. Such a culture nurtured one of the great literary periods, producing such novelists as Charles Dickens, Charlotte Bront , Emily Bront , Thomas Hardy, and George Eliot; such poets as Alfred Lord Tennyson, Elizabeth Barrett Browning, Robert Browning, Christina Rossetti, Gerard Manley Hopkins; such great essayists as Matthew Arnold, John Stuart Mill, John Henry Newman, and Thomas Carlyle. Prerequisites: ENG-114, ENG-115 or ENG-116, ENG-121 or ENG-122. WRITD, Fall semester, odd years.
  • 1.00 Credits

    The mid-nineteenth century saw a burst of literary activity in America. Writers reacted to religious, social, and political issues of the day such as Transcendentalism, slavery, and "the woman question." We will read authors traditionally associated with the American Renaissance-Emerson, Thoreau, Hawthorne, and Dickinson-as well as less well-known figures to enrich our appreciation of the variety and quality of the writing of this important period. Prerequisites: ENG-114, ENG-115 or ENG-116, ENG-121 OR ENG-122. WRITD, Spring semester, odd year
  • 1.00 Credits

    This course examines a selection of poetry, prose, and drama written during the past three decades. We also will engage questions of acceptance into the academic literary canon, the influence of publishing and marketing trends on an author's success, the challenges of studying living authors in a college course (including a relative lack of critical secondary sources), and the effect of nonprint and electronic media on the study of literature. Possible authors include: John Barth, Carolyn Chute, Don DeLillo, Joan Didion, Rita Dove, Louise Erdrich, Tony Kushner, Cormac McCarthy, David Mamet, Bobbie Ann Mason, Toni Morrison, Tim O'Brien, Adrienne Rich, Philip Roth, Sam Shepherd, Leslie Marmon Silko, John Updike, and John Edgar Wideman. Prerequisites: ENG-114, ENG-115 or ENG-116, ENG-121 or ENG-122. WRITD, Spring semester, even years.
  • 0.50 Credits

    A supervised course in which student editor(s) design and produce the Firethorne, the campus literary magazine, in both hard copy and online forms. Responsibilities include organization of staff, establishment of procedures and standards, solicitation of student contributions of prose, poetry, and artwork, and work with layout and desktop publishing. Participants are selected by permission of the instructor; may not be repeated.
  • 1.00 Credits

    This course is intended as a final preparation for prospective teachers of secondary Communication Arts/Literature, building on subject matter knowledge gained in English, Communication Studies, and Education. Students will focus on selecting materials and methods for teaching in the communication arts and literature (speaking, writing, listening, reading) and develop lesson plans for composition, language, and grammar; speaking, listening, and viewing; appreciating, enjoying, analyzing, and understanding both adolescent and adult literature. To be taken just preceding student teaching. January Interim.
  • 1.00 Credits

    This course offers students directed practice in original scholarly research with study of primary and secondary materials, preparation of reports and reviews, and scholarly writing. Depending on the number of majors, students can choose from among two to four seminar sections a year, each focusing upon research interests currently engaging a faculty member. Students will write a substantial critical and/or creative essay. Prerequisites: senior status as an English major and permission of the department chair. Offered annually.
  • 0.13 Credits

    Study and performance of vocal chamber music literature by small groups of singers under faculty supervision. Prerequisite: Audition or permission of voice faculty. ARTS, Fall and Spring semesters. Section 154 Chamber Singers 157 Duets, Trios, Quartets, Opera Scenes
  • 0.13 Credits

    A women's ensemble that studies, rehearses, and performs sacred and secular choral literature. Open to women students by audition. ARTS, Fall and Spring semesters.
  • 0.13 Credits

    A women's ensemble that studies, rehearses, and performs sacred and secular choral literature. Open to women students by audition. ARTS, Fall and Spring semesters.
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