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  • 1.00 Credits

    Students will be required to write short fictions and/or chapters from long fictions, and to submit their writing to class scrutiny and criticism. A variety of exercises also may be required in the techniques appropriate to fiction, such as management of point of view, characterization, tone, etc. Some published fictions will be read not as models to be imitated, but as interesting examples. Prerequisite: ENG-112 or consent of instructor. WRITD, Spring semester, even years.
  • 1.00 Credits

    Students will write short pieces of creative nonfiction, sharing their work on a regular basis with peers and instructor. In order to learn as much as possible about the wide range of forms available to creative nonfiction writers, students will read extensively, considering book-length and shorter pieces of creative nonfiction by a diverse group of writers. Forms studied may include memoir, travel narrative, personal essay, literary critical essay, and nature writing. Some classes may be conducted as workshops, during which writers will read and critique the work of their peers. Prerequisite: ENG-112 or consent of instructor. WRITD, Fall semester, odd years.
  • 1.00 Credits

    A generous selection of novels from Defoe, Richardson, and Fielding through Austen, Dickens, and Hardy to Conrad, Joyce, Lessing, and Fowles. The selection should represent the wonderful range of character, technique, and subject exhibited in great British novels. The selection will vary from year to year but will usually include novels from the 18th, 19th, and 20th centuries. LARS, Spring semester.
  • 3.00 Credits

    Off-campus employment experience related to the student's major. See description of the Internship Program. Prerequisite: junior or senior status. Fall and Spring semesters and Summer.
  • 1.00 Credits

    This course explores the various themes, social contexts, and intellectual backgrounds of select American novels from the late 1700s to the present. Works in this genre will be read chronologically to trace changing concepts of the roles and techniques of the novel, and will be chosen to examine the diversity of the American experience throughout the nation's history. LARS, Fall semester.
  • 1.00 Credits

    This course is a broad survey of what has come to be called "Postcolonial literature," i.e., literature written in English by peoples who have been dominated and marginalized by cultural imperialism, ethnocentrism, racism, and colonialism. Texts include postcolonial theory, personal narratives, fiction, and film, as well as canonical English literature interrogated through a postcolonial lens. We will explore the complex relationship between texts and their social context as well as such themes as identity and community, gender, migration, hybridity, the colonized mind, and self-determination. LARS, Spring semester, odd years.
  • 3.00 Credits

    Each student will design a detailed proposal in consultation with an appropriate member of the department. The proposal must include a well-written rationale, details of reading and written work, and a list of all previous English courses and instructors. The proposal must be submitted, on proper forms, to the department chairperson no later than the third week before the end of the current term for work to be done in the next term (including January Interim and Summer).
  • 1.00 Credits

    Literature written in England between about 1500 and 1650, at various moments rejected its medieval roots, tried to give rebirth to a classical heritage, and invented the basis for what we regard as our "modern" selves. In the midst of religious turmoil, world exploration and colonization, economic expansion, and technological development, love poetry flourished, religious devotion found sublime expression, rulers crafted words to confirm their domination, and playwrights kept crowds spellbound. Topics will vary from term to term, but readings will cover works by authors such as Thomas More, Edmund Spenser, Philip Sidney, Elizabeth I, Aemilia Lanyer, Christopher Marlowe, John Donne, Ben Jonson, Robert Herrick, Lady Mary Wroth, and George Herbert. Prerequisites: ENG-114, ENG-115 or ENG-116, ENG-121 or ENG-122. WRITD, Fall semester, odd years.
  • 1.00 Credits

    A study of the development of Shakespeare's dramatic and poetic art with special emphasis upon the reading and analysis of his better-known plays and sonnets. Prerequisites: ENG-114, ENG-115 or ENG-116, ENG-121 or ENG-122. WRITD, offered annually.
  • 1.00 Credits

    From the early 17th century through the 18th was a time in the English-speaking world, continental Europe, and South America of hugely significant change. In this course we will explore, through readings in several modes/genres by many different writers, the meaning of "revolution," focusing on changes in literary style and form and the way people began to think about selves, culture, politics/society, and thinking itself. The course is interdisciplinary, exploring thinking about and developments in architecture, music, and painting as well as in literature and philosophy. The specific focus of the course may vary from year to year. Some possible topics include: Johnson and His Circle; 17th- and 18th-Century Women; Drama from the Restoration to the Late 18th Century; Alongside the Novel: Genres and Modes in the Age of Revolution; From Alchemy to Chemistry in 100 Years: The Royal Society and the Creation of the Scientific World View; the Athens of the North: Queens, Pretenders, Poets, and Rhetoricians; The Voice of Dissent: Milton, Paine, Blake. Prerequisites: ENG-114, ENG-115 or ENG-116, ENG-121 or ENG-122. Spring semester, even years.
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