Login
|
Register
|
Favorites (0)
Home
Search
Search
Search for Transfer Profiles
Search for Course Equivalencies
Search for Exam Equivalencies
Search for Transfer Articulation Agreements
Search for Programs
Search for Courses
Current
Search for Colleges
Search for Open Education Resources
PA Bureau of CTE SOAR Programs
Current
Course Criteria
Add courses to your favorites to save, share, and find your best transfer school.
CMP 461T: Electro-Acoustic Music I
2.00 Credits
The New England Conservatory of Music
An introduction to the composition, techniques and theory of electro-acoustic music. Participants will gain a technical understanding of the tools available to the electronic composer including digital audio recording, signal processing, synthesis and MIDI and will work hands-on in the electronic music studio to realize composition projects. Emphasis will be placed on learning to arrange and transform sonic materials in such a way as to result in structurally coherent electronic compositions. Considerations arising from the limitlessness of the medium will be discussed and a historical context will be provided. (2 credits) Mallia
Share
CMP 461T - Electro-Acoustic Music I
Favorite
CMP 462T: Electro-Acoustic Music II
2.00 Credits
The New England Conservatory of Music
Techniques explored in Electro-Acoustic Music I will be extended through an investigation of live applications of electronic music. Special emphasis will be placed on the combination of acoustic instruments and digital sound using realtime computer music systems. Students will learn to facilitate gestural communication between performer and machine through the creation and control of interactive listening/response environments. A concert of works composed by students of the class will take place during the semester. (2 credits) Mallia
Share
CMP 462T - Electro-Acoustic Music II
Favorite
CMP 463T: Composing for Film and Multimedia
2.00 Credits
The New England Conservatory of Music
This project-based course will introduce students to concepts, compositional strategies, and technologies associated with the combination of music, sound and image in Film. Stylistically diverse music by a variety of composers, taken from both historical and contemporary films, will be examined for its role in controlling the depth and speed of the viewer/listener's awareness of shifts in the underlying narrative thread and changes in the psychological make-up of characters. Students will receive regular critiques of composition projects requiring them to apply demonstrated concepts and techniques relating to, other collaborative multimedia settings including video, web-based art, performance, dance and immersive installation environments will also be studied. Sound/image timing and synchronization techniques, digital sound manipulation, MIDI instrumental mock-ups and synthesis will be demonstrated, practiced and utilized in scene-scoring and multimedia projects suitable for a composer's portfolio. (Open to Composition and Jazz Composition Majors. Others, by instructor's permission.) (2 credits) Mallia
Share
CMP 463T - Composing for Film and Multimedia
Favorite
CMP 490: Senior Review
0.00 Credits
The New England Conservatory of Music
See Undergraduate Composition program of study. (0 credit)
Share
CMP 490 - Senior Review
Favorite
CMP 515: Composition and Tonality in the 18th and 19th Centuries
2.00 Credits
The New England Conservatory of Music
The study of tonality in Western classical music through analysis and writing of binary, ternary, sonata-allegro, rondo, and variation forms based on models from the Baroque, Classical, and early Romantic periods. (2 credits) Peyton
Share
CMP 515 - Composition and Tonality in the 18th and 19th Centuries
Favorite
CMP 516: Composition and Tonality in the 18th and 19th Centuries
3.00 Credits
The New England Conservatory of Music
Continuation of CMP 515. Prerequisite: CMP 515. (2 credits) Peyton
Share
CMP 516 - Composition and Tonality in the 18th and 19th Centuries
Favorite
CMP 517: Composition and Tonality in the 20th and 21st Centuries
2.00 Credits
The New England Conservatory of Music
The study of "tonality" in modern times: the return to modality, the use ofhybrid and compound scale, the principle of displacement and cross-relations. Compositions in the style of Debussy, Stravinsky, Bartók, and other 20th-century masters. (2 credits) Peyton
Share
CMP 517 - Composition and Tonality in the 20th and 21st Centuries
Favorite
CMP 518: Composition and Tonality in the 20th and 21st Centuries
3.00 Credits
The New England Conservatory of Music
Explores the styles of Prokofiev, Hindemith, Ives, Copland, Carter, Ligeti, Gubaidulina. Dictation and ear training. Composition of several short pieces in differing styles. Continuation of CMP 517. Prerequisite: CMP 517. (2 credits) Peyton
Share
CMP 518 - Composition and Tonality in the 20th and 21st Centuries
Favorite
CMP 518T: Composition for Non-Majors
2.00 Credits
The New England Conservatory of Music
Graduate offering of CMP 418T. (2 credits) Gandolfi
Share
CMP 518T - Composition for Non-Majors
Favorite
CMP 543T: Instrumentation and Orchestration
2.00 Credits
The New England Conservatory of Music
Graduate offering of CMP 443T. Instructor's permission required for non-majors. (2 credits) Mallia
Share
CMP 543T - Instrumentation and Orchestration
Favorite
First
Previous
6
7
8
9
10
Next
Last
Results Per Page:
10
20
30
40
50
Search Again
To find college, community college and university courses by keyword, enter some or all of the following, then select the Search button.
College:
(Type the name of a College, University, Exam, or Corporation)
Course Subject:
(For example: Accounting, Psychology)
Course Prefix and Number:
(For example: ACCT 101, where Course Prefix is ACCT, and Course Number is 101)
Course Title:
(For example: Introduction To Accounting)
Course Description:
(For example: Sine waves, Hemingway, or Impressionism)
Distance:
Within
5 miles
10 miles
25 miles
50 miles
100 miles
200 miles
of
Zip Code
Please enter a valid 5 or 9-digit Zip Code.
(For example: Find all institutions within 5 miles of the selected Zip Code)
State/Region:
Alabama
Alaska
American Samoa
Arizona
Arkansas
California
Colorado
Connecticut
Delaware
District of Columbia
Federated States of Micronesia
Florida
Georgia
Guam
Hawaii
Idaho
Illinois
Indiana
Iowa
Kansas
Kentucky
Louisiana
Maine
Marshall Islands
Maryland
Massachusetts
Michigan
Minnesota
Minor Outlying Islands
Mississippi
Missouri
Montana
Nebraska
Nevada
New Hampshire
New Jersey
New Mexico
New York
North Carolina
North Dakota
Northern Mariana Islands
Ohio
Oklahoma
Oregon
Palau
Pennsylvania
Puerto Rico
Rhode Island
South Carolina
South Dakota
Tennessee
Texas
Utah
Vermont
Virgin Islands
Virginia
Washington
West Virginia
Wisconsin
Wyoming
American Samoa
Guam
Northern Marianas Islands
Puerto Rico
Virgin Islands
Privacy Statement
|
Cookies Policy
|
Terms of Use
|
Institutional Membership Information
|
About AcademyOne
Copyright 2006 - 2025 AcademyOne, Inc.