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CLPNO 901: Coaching in Instrumental/Vocal Repertoire
3.00 Credits
The New England Conservatory of Music
Designed to establish the skills of vocal coaching: phrasing, diction, rhythmic security, and textual analysis. Continuation of CLPNO 608. Prerequisite: CLPNO 608 Available for third year DMA students only. (1 credit) Faculty
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CLPNO 902: Coaching in Instrumental/Vocal Repertoire
1.00 Credits
The New England Conservatory of Music
Continuation of CLPNO 901. (1 credit) Faculty
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CMP 132: Notational Techniques
2.00 Credits
The New England Conservatory of Music
This course will examine traditional and twentieth century conventions of Western music notation essential for the clear communication of musical ideas between contemporary composers and performers. Both handwritten and software-based notation techniques will be studied and the standards currently in place in the music publishing industry will be carefully observed. Relevant topics including part extraction, keyboard reductions, instrument specific indications and contemporary methods of representation such as graphic notation will be addressed through musical examples and written exercises. (2 credits) Mallia
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CMP 411T: 16th Century Counterpoint
3.00 Credits
The New England Conservatory of Music
Analysis of Lassus's canons and two-voice motets; writing of compositions in that style. Readings in Pietro Aaron, Aldrich, Cook, and Wittkower. Prerequisite: THYU 102, 106. (3 credits) Davidson
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CMP 411T - 16th Century Counterpoint
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CMP 412T: 16th Century Counterpoint
3.00 Credits
The New England Conservatory of Music
Analysis and composition of motets and mass movements for three or four voices. Readings from Zarlino. Continuation of CMP 411T. Prerequisite: CMP 411T. (3 credits) Davidson
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CMP 412T - 16th Century Counterpoint
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CMP 418T: Composition for Non-Majors
2.00 Credits
The New England Conservatory of Music
Introductory course in composition. Students will learn practical fundamentals of music composition: notation, instrumentation, and orchestration, as well as today's principal compositional techniques. (2 credits) Gandolfi
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CMP 418T - Composition for Non-Majors
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CMP 443T: Instrumentation and Orchestration
2.00 Credits
The New England Conservatory of Music
Demonstration of instrument categories and writing for individual instruments. Orchestrational analysis of 20th-century literature. Text: Samuel Adler's Orchestration. Instructor's permission required for non-majors. (2 credits) Mallia
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CMP 443T - Instrumentation and Orchestration
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CMP 444T: Instrumentation and Orchestration
3.00 Credits
The New England Conservatory of Music
Intensive study of selected scores; composition of a short piece for large chamber orchestra; preparation of scores and parts for in-class performances. Continuation of CMP 443T. Prerequisite: CMP 443T. (2 credits) Mallia
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CMP 444T - Instrumentation and Orchestration
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CMP 453T: Introduction to Sound Synthesis
2.00 Credits
The New England Conservatory of Music
Compositional procedures associated with electronic sound synthesis, including notation, live electronic music, tape with performers, analog sound generation, stereo and quadraphonic performance. Instructor's permission required for nonmajors. (2 credits) Mallia
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CMP 453T - Introduction to Sound Synthesis
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CMP 454T: Introduction to Sound Synthesis
3.00 Credits
The New England Conservatory of Music
Introduces digital sound modules. Final project: taped composition for performance. Continuation of CMP 453T. Prerequisite: CMP 453T. (2 credits) Mallia
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CMP 454T - Introduction to Sound Synthesis
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