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LARTS 363: Film Studies I
2.00 Credits
The New England Conservatory of Music
Explores ways of seeing and forms of representation in film; examines the viewer's engagement in the visual image and narrative; establishes critical perspectives for viewing films. (2 credits) Breese
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LARTS 363 - Film Studies I
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LARTS 364: Film Studies II
3.00 Credits
The New England Conservatory of Music
After a brief overview of the formal and structural elements of film, we will look at some of the ways that film conveys particular views about ideas such as race, class, authority, gender, nation, and family, and how those views have varied in different periods and cultures. Prerequisite: LARTS 363 (2 credits) Breese
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LARTS 364 - Film Studies II
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LARTS 371: Philosophy of Art
2.00 Credits
The New England Conservatory of Music
We will analyze various thinkers' responses to the primary questions in the philosophy of art, such as: What distinguishes art from non-art, or music from repetitive sounds? Who determines what is or is not art? Do the arts have an ethical function? How do abstract works convey meaning? We will also attempt to apply their theories to particular pieces, which should help you think more carefully about your work as musicians. (2 credits) Breese
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LARTS 371 - Philosophy of Art
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LARTS 375: Philosophy of Gender
2.00 Credits
The New England Conservatory of Music
A study of the recent history and development of feminist theories, as well as their impact on "mainstream" western philosophy. Course will give particular attentionto theories about gender and the body, as well as the ways in which bodies are viewed. You will also be asked to interpret your own experience as performers in light of these theories. (2 credits) Breese
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LARTS 375 - Philosophy of Gender
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LARTS 376: Buddhist Philosophy
2.00 Credits
The New England Conservatory of Music
Begins with an overview of Buddhist history that includes the Buddha's life and teachings as well as the development of the three primary "vehicles" since hisdeath. We will spend the rest of the semester on close readings of the three significant Mahayana Texts dealing with the idea of emptiness. During the semester students will also look at recent neurological research on meditation and the brain, as well as at traditional teachings on developing mental quiescence. (2 credits) Breese
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LARTS 376 - Buddhist Philosophy
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LARTS 381: Modern Drama:1900-1960
2.00 Credits
The New England Conservatory of Music
This course examines central themes, theories and techniques of the modern stage. Students attend at least one of the assigned plays in performance and have the opportunity to engage the texts by rehearsing scenes during class time. (2 credits) Keppel
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LARTS 381 - Modern Drama:1900-1960
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LARTS 382: Drama Workshop II
3.00 Credits
The New England Conservatory of Music
An extension of the techniques of acting and directing presented in Drama Workshop I. Students will learn the elements of putting on a full production of a one-act play and will perform it at an NEC venue. They will also have the opportunity to create their own original one-act plays. Prerequisite: LARTS 352. (2 credits) Keppel
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LARTS 382 - Drama Workshop II
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LARTS 383: The Comic Imagination
2.00 Credits
The New England Conservatory of Music
This course explores the psychological and social motivations behind the comic imagination as presented in plays from the classical period to the contemporary. Students attend at least one of the assigned plays in performance and have the opportunity (but are not required) to engage the texts by working scenes during class time. (2 credits) Keppel
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LARTS 383 - The Comic Imagination
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LARTS 384: The Theatre of the Absurd
2.00 Credits
The New England Conservatory of Music
This course examines themes, theories and techniques relevant to the Theatre of the Absurd, the culmination of the modernist eruption in European theatre from 1880-1960. Students attend at least one of the assigned plays in performance and have the opportunity (but are not required) to engage the texts by working scenes during class time. (2 credits) Keppel
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LARTS 384 - The Theatre of the Absurd
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LARTS 385: Ibsen,Chekhov,Shaw
2.00 Credits
The New England Conservatory of Music
This course examines the plays and times of the three playwrights whose works revolutionized the 19th century European stage, paving the way for the innovative modern drama of the next century. Students attend at least one of the assigned plays in performance and have the opportunity (but are not required) to engage the texts by working scenes during class time. (2 credits) Keppel
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LARTS 385 - Ibsen,Chekhov,Shaw
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