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  • 3.00 Credits

    This course is designed to give students practical, hands-on experience in the translation, from French to English, of a literary work. We will begin the semester with readings in translation theory before moving on to the selection (by students) of a literary text. Students will work collaboratively in teams on a collective translation; teams will meet on a weekly basis with the professor for a detailed review of the work in progress. At the end of the semester, each team will submit the definitive version of their translation as well as a paper reflecting on the particular linguistic challenges encountered and their resolution thereof. Meets either language requirement or Humanities I-A requirement C. Rivers Prereq. two of 215, 219, 225, or 230; or permission of department chair and course instructor; NOTE: Limited to students who have taken at least two 300-level French courses or, in special cases, per instructor. May be used for written part of advanced language requirement for the French major.; 4 credits
  • 12.00 Credits

    The seminar is intended to challenge students at the highest level. A regular rotation of topics ensures a variety of perspectives across genre and period, encompassing linguistic, literary, theoretical, and cultural issues of French and Francophone studies. Development of critical skills is stressed through classroom discussion and critique of writing projects, drawing on individual student interests and experiences as they relate to the topic of the course. Fall 2008 370f(01) Topic: The Detective Novel in France The French detective novel found its origins in Poe and in the disillusionment and malaise of the increasingly urban universe of the nineteenth century. It generally centered on a dark, mysterious Parisian atmosphere that spoke to a growing public awareness of the worlds of crime and of the police. Realist novelists, in particular Dostoevsky, enriched the genre's conventions, but the detective novel evolved beyond realism as it moved into the twentieth century, combining unsettling social critique with reassuringly flawless reasoning. Meets either language requirement or Humanities I-A requirement C. LeGouis Prereq. 12 credits including two courses at the advanced level, or permission of department chair and instructor; 4 credits Spring 2009 370s(01) Topic:Women andWriting in French-Speaking Africa This course explores writings by women in French-speaking Africa from its early beginnings in the late 1970s to the present. Special attention will be given to social, political, gender, and aesthetic issues. Meets either language requirement or Humanities I-A requirement S. Gadjigo Prereq. 12 credits including two courses at the advanced level, or permission of department chair and instructor; 4 credits
  • 8.00 Credits

    Does not meet a distribution requirement Prereq. jr, sr with permission of department; 1 to 8 credits
  • 3.00 Credits

    The Politics of Memory in Postwar German and Japanese Cultures
  • 4.00 Credits

    (Some speaking-intensive sections) This course examines the social and historical construction of gender from cross-cultural and interdisciplinary perspectives. The intersections among gender, race, class, and sexuality in various contexts, past and present, will be central to our inquiry. Topics will include the politics of appearance, women's economic status, sexual violence, racism, legacies of colonialism, the challenges of transnational feminist activism, and strategies for change.We will examine the development of feminist theory and its practices in various local and transnational contexts. Meets Humanities I-B requirement if taught by Heller; meets Social Sciences III-A requirement if taught by Renda M. Renda, C. Heller 4 credits
  • 4.00 Credits

    (First-year seminar; writing-intensive course; Same as History 101f (03)) Mary Lyon, founder in 1837 of Mount Holyoke Female Seminary, held out to her students the possibility that they might transform the world--a tall order for young women who were excluded from proper citizenship and political power. To Lyon, duty, discipline, and community would make it possible.What transformations ensued And what can we learn from them about the complexities of gender and power This course will introduce students to the cra? of historical research through the richness of the College Archives. Special attention will be paid to the College's missionary past, its role in labor research and activism, and the place of racism and antiracism in its history. Meets Humanities I-B requirement M. Renda 4 credits
  • 3.00 Credits

    How do scholars produce knowledge What can we learn from differences and similarities in the research process of a novelist, a biologist, an historian, a sociologist, and a film critic Who decides what counts as knowledge We will examine a range of methods from the humanities, social sciences, and natural sciences, including visual analysis, archival exploration, interviewing, and ethnography, as we consider the specific advantages (and potential limitations) of diverse disciplinary approaches for feminist inquiry. We will take up numerous practical questions as well as larger methodological and ethical debates. This course provides a foundation for advanced work in the major. Meets Humanities I-B requirement M. Renda Prereq. Gender Studies 101; one laboratory course in a natural or physical science (completed or taken concurrently); or permission of the instructor; 4 credits
  • 3.00 Credits

    Fall 2008 204f(01) Protest and Pleasure (Same as English 271) In this course we will examine the work of American women writers with an emphasis on the themes of protest and pleasure. Material will range from the overtly political to the intensely personal, will o?en merge the two, and will date from the late-nineteenth century to today. Despite our long-standing reputation for being "emotional,"both outrage and ecstasy have o? been considered taboo for women. Yet women have been motivated by each to pick up the pen and have proved influential as writers on these themes. Authors will range from Emma Goldman, Ida B.Wells and kate Chopin to Audre Lorde, Adrienne Rich, and Dorothy Allison. Meets Humanities I-A requirement S. Davis Prereq. soph, jr, sr; English 240, 241, or 270 recommended; 4 credits Spring 2009 204s(01) BlackWomenWriters: Feminist Visions from the African Diaspora (Writing-intensive course; Same as African American and African Studies 206) This course will explore the influence of feminist politics on the writing of women throughout the African Diaspora. By exploring the different cultural, political, and historical contexts in which these writers work, we will attempt to define the continuities and conflicts that exist within the vast field of black women's writing. Why, when, and how did a black feminist consciousness emerge How did racial tensions within the predominantly white feminist movement lead to the development of a separate black "womanist"/?irWorld agenda How does feminist literature of the African Diaspora challenge negative stereotypes and misrepresentations of black women's realities Meets multicultural requirement; meets Humanities I-A requirement Z. Elliott Prereq. AFRAM 101 Intro to African American Studies, or permission of instructor; 4 credits the loss of women's work of governing in the colonial period, and the consequences for women's wealth and productivity of incorporation into a global market economy. Texts include recorded life histories, autobiography, fiction, and film, and primary sources such as the testimony of participants in the Ibo Women'sWar of 1929. Meets multicultural requirement; meets Humanities I-B requirement J. Bowman 4 credits
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