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VES 41br: Photographic Inquiry: Studio Course
4.00 Credits
Harvard University
Class emphasis will be on developing visual ideas for a self-directed photographic project. Class will be structured around regular critiques, individual meetings, readings, class discussions and museum visits. Students will create a group of photographs for a final project that are the result of a sustained, self-directed creative process.
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VES 50: Fundamentals of Filmmaking: Studio Course
8.00 Credits
Harvard University
Introductory exercises in live-action filmmaking culminating in the production of a nonfiction film as a group project in the spring term.
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VES 50 - Fundamentals of Filmmaking: Studio Course
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VES 51a: Fundamentals of Video: Studio Course
4.00 Credits
Harvard University
A series of nonfiction projects, both individual and collaborative, designed to introduce and explore the range of expressive possibilities in digital video.
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VES 51a - Fundamentals of Video: Studio Course
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VES 51br: Nonfiction Video Projects: Studio Course
4.00 Credits
Harvard University
Working from a proposal approved in advance by the instructor, each student plans, shoots, and edits a documentary video of his or her design. Shooting should take place over the summer and editing during the fall term. Readings and screenings augment individual work.
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VES 53a: Fundamentals of Animation: Studio Course
4.00 Credits
Harvard University
An introduction to the possibilities of animation. Using a mixture of traditional and 2D digital tools, students will complete practical exercises which will familiarize them with basic skills and techniques. Screenings and discussions will help develop the specialized thinking needed to understand the discipline.
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VES 53a - Fundamentals of Animation: Studio Course
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VES 56s: Animation/Studio
4.00 Credits
Harvard University
Assailing animation, from the studio. Topics include the animated potential of the still image, both to reflect continuum, and in modes of repetition, including series, sequence and seriality. In discussions of the moving image, "Animation" will be treated broadly as a strategy of synthetic filmmaking. Assignments include painting and drawing - with an emphasis on expanding materials and harnessing styles - as well as collage, montage, slide works, and short videos/animations.
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VES 56s - Animation/Studio
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VES 57r: Maya and Multi Media
4.00 Credits
Harvard University
In this class, 3D animation is used to complement the physical environment with its own rules and logic. We will explore the perceptual logic of cause and effect and the dialogue of physical and virtual. Using Maya software the course will cover the basics of 3d animation through series of assignments building up to the final project, an urban projected 3d animation on an architectural facade.
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VES 60x: Trials in Narrative Filmmaking
4.00 Credits
Harvard University
In this video production course, students will discover their own voice, exploring experiences in filmmaking through trials and exercises.
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VES 61m: Sound in Time, Sound in Space: Studio Course
4.00 Credits
Harvard University
Students will produce short works exploring contemporary currents in sound installation, so-called "sound art," and related extra-musical sonic forms. Techniques include sound diffusion, localization, amplification, composition, repetition, performance and capture. No previous studio or music experience necessary.
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VES 69: Film-Video-Sound Installation
4.00 Credits
Harvard University
A studio course in which to consider time-based art in the gallery. We will investigate multi-channel challenges, editing for a viewer that can come and go, instantaneity, bandwidth and boredom. The class will include presentations and screenings of contemporary work and some reading, but the emphasis will be on developing individual projects.
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