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Course Criteria
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2.00 Credits
Credits:2 credits Prerequisites:None Course Chair:M. Marvuglio/J. Odgren Required of:None Electable by:All Offered:Spring, Fall Description An examination of women's contributions to jazz and classical music in twentieth-century America and the factors that influenced their careers. Students will study individual performers, composers, and all-women groups using audio and visual resources and critically evaluate the sociopolitical factors that affected their careers through lecture, discussion, and research.
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1.00 Credits
Credits:2 credits Prerequisites:CP-211 and either CM-211 or CM-251 Course Chair:G. Fritze Required of:COMP majors and MUED majors Electable by:COMP majors and MUED majors Offered:Spring, Summer, Fall Description A survey of the major styles in Western music from about A.D. 600 to the conclusion of the baroque period.
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2.00 Credits
Credits:2 credits Prerequisites:CP-212 and either CM-212 or CM-252 Course Chair:G. Fritze Required of:COMP majors and MUED majors Electable by:COMP majors and MUED majors Offered:Spring, Summer, Fall Description A survey of the major styles in Western and non-Western music from the early classical period to the present.
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2.00 Credits
Credits:2 credits Prerequisites:ET-111 and HR-111 Course Chair:G. Fritze Required of:None Electable by:All Offered:Spring, Summer Description A survey course offering an overview of musical trends that have dominated concert music since World War II, with emphasis on symphonic and chamber music. Recent trends including minimalism, post-Webern serialism, chance and indeterminacy, electronic music, world music, neoromanticism, avant-garde experimentalism, multimedia, and others will be discussed. Pieces by composers John Adams, Takemitsu, Stockhausen, Penderecki, Schnittke, Torke, Cage, Feldman, Harbison, Zenakis, Reich, and others will be studied and analyzed.
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2.00 Credits
Credits:2 credits Prerequisites:CM-212 and CP-212 Course Chair:G. Fritze Required of:None Electable by:All Offered:Summer, Fall Description This course combines historical, theoretical, and psychological aspects of research on the life of Dmitri Shostakovich and the majority of his works. Special attention is devoted to the symphonic and theater works with detailed analysis of the principles of musical and theatrical dramaturgy and emphasis on style, form, and musical language. Videotapes with excerpts of performances of the composer's operas, ballets, and symphonic works, as well as passages from rare documentary films are an integral part of the course.
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2.00 Credits
Credits:2 credits Prerequisites:CM-212 Course Chair:G. Fritze Required of:COMP majors Electable by:All Offered:Spring, Summer, Fall Description Analysis of representative works from the classical and romantic periods. Emphasis on compositional practice and stylistic distinction.
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2.00 Credits
Credits:2 credits Prerequisites:LHAN-311 Course Chair:G. Fritze Required of:COMP majors Electable by:All Offered:Spring, Fall Description Study of music from the early twentieth century to the present. Examination of the development of mainstream serial, electronic, aleatoric, and experimental composition.
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1.00 Credits
Credits:2 credits Prerequisites:None Course Chair:G. Fritze Required of:None Electable by:All Offered:Fall Description A comprehensive survey of the forms that originated in the Renaissance, baroque, and classical periods, and their development and use by composers of the nineteenth and twentieth centuries. Isorhythm, ground bass, variation passage, and fugue are traced in detail from their earliest use to the twentieth century.
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2.00 Credits
Credits:2 credits Prerequisites:LHAN-315 Course Chair:G. Fritze Required of:None Electable by:All Offered:Spring Description A continuation of the survey of forms. Sonata, rondo, simple ternary, and other forms are analyzed in detail and traced through the music of composers from the eighteenth century to the present day.
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2.00 Credits
Credits:2 credits Prerequisites:None Course Chair:M. Marvuglio/J. Odgren Required of:None Electable by:All Offered:Spring, Fall Description An in-depth survey of the principal instrumental soloists, vocalists, vocal groups, arrangers, and composers of the bebop period. A variety of groups will be examined through recordings.
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