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  • 0.50 Credits

    Credits:0.5 credit Prerequisites:ILPN-123 Course Chair:S. Tiernan Required of:None Electable by:Piano principals Offered:Spring, Summer, Fall Description Instrumental laboratory for piano principals emphasizing the application of comping techniques to a variety of Latin and Latin-influenced jazz and pop music styles. Use of recorded material for play-along purposes as well as transcriptions of comping of major Latin piano players.
  • 0.50 Credits

    Credits:0.5 credit Prerequisites:ILPN-112 and ILPN-123 Course Chair:S. Tiernan Required of:None Electable by:Piano principals Offered:Spring, Fall Description Instrumental laboratory for piano principals emphasizing the application of comping techniques to a variety of "roots of rock" styles influenced by blues, New Orleans, and gospel music. Use of recorded material and transcriptions of influential players. Emphasis on in-class performance and play-along.
  • 0.50 Credits

    Credits:0.5 credit Prerequisites:ILPN-123 Course Chair:S. Tiernan Required of:None Electable by:Piano principals Offered:Spring, Fall Description Instrumental laboratory for piano principals providing the opportunity to learn rhythmic, harmonic, and melodic comping patterns and repertory in a variety of popular world music styles. Focus is on artists and styles that are readily available, including Afro-pop, reggae, Afro-funk, Middle Eastern rai, Greek, Balkan, and Indian popular music, and selected jazz and Latin American styles. Students will play written transcriptions along with sequenced rhythm patterns.
  • 1.00 Credits

    Credits:1 credit Prerequisites:ILPN-113 and ILPN-122 Course Chair:S. Tiernan Required of:None Electable by:Piano principals Offered:Spring, Fall Description This course emphasizes rhythmic aspects and the historical context of Afro-Cuban piano montunos. Harmonic vocabulary includes triads and sixth chords in inversions, and "A" and "B" standard jazz voicings for major, minor, and dominant seventh chords. Harmonic contexts used in class encompass one chord, I-IV-V-VI-I progression and variations, and standard jazz tunes. All examples are in duple meter.
  • 0.50 Credits

    Credits:0.5 credit Prerequisites:ILPN-113 and ILPN-123 Course Chair:S. Tiernan Required of:None Electable by:Piano principals Offered:Spring, Summer, Fall Description Instrumental laboratory for piano principals emphasizing the study of various keyboard techniques applied to standard, popular, and jazz tunes.
  • 0.50 Credits

    Credits:0.5 credit Prerequisites:ILPN-122 Course Chair:S. Tiernan Required of:None Electable by:Piano principals Offered:Spring, Summer, Fall Description A performance lab intended for keyboardists with little or no experience in improvisation. Instructional focus is on understanding of materials of improvisation both theoretically and aurally, and assimilating these materials into established musical forms and styles. Learning methods include playing with tapes and MIDI sequences, various call-and-response activities, and writing, performing, and analyzing improvisations.
  • 0.50 Credits

    Credits:0.5 credit Prerequisites:ILPN-123 Course Chair:S. Tiernan Required of:None Electable by:Piano principals Offered:Spring, Summer, Fall Description A performance-oriented lab designed for piano principals emphasizing basic synthesizer programming and performance in a live situation. Focuses on orchestration, patch choices, and playing multiple timbres simultaneously in any synthesizer setup.
  • 1.00 Credits

    Credits:1 credit Prerequisites:ILPN-123 Course Chair:S. Tiernan Required of:None Electable by:Piano principals Offered:Spring, Fall Description This lab will expose the pianist to the stylistic diversity among gospel keyboard performers. Through analysis, transcriptions, and performance, students will gain practical performance experience in playing hymns, traditional gospel pieces, and contemporary gospel music. Focus will be on learning gospel music in the traditional way and will include learning by ear. The student will be exposed to the historical development of this spiritual music.
  • 1.00 Credits

    Credits:0.5 credit Prerequisites:None Course Chair:S. Tiernan Required of:None Electable by:All Offered:Spring, Summer, Fall Description Material to be covered includes scales, scale patterns, diatonic chords, available tensions, triads, seventh chords, guide tones, simple voicing techniques and sight-reading lead sheets (melody/chord symbols) of chord symbol.
  • 2.00 Credits

    Credits:0.5 credit Prerequisites:ILPN-271 Course Chair:S. Tiernan Required of:None Electable by:All Offered:Spring, Fall Description An organized approach to establishing a thorough foundation of knowledge and proficiency in keyboard for the study of jazz harmony, improvisation, and composition. A continuation of ILPN-271. Material to be covered: additional exercises in scale patterns, diatonic sevenths in inversions, seventh chord inversions, harmonic tensions, voice leading, and sight-reading of lead sheets (melody/chord symbols). Designed for pianists and other instrumentalists who want to develop keyboard skills.
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