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Course Criteria
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0.50 Credits
Credits:0.5 credit Prerequisites:None Course Chair:D. Anderson Required of:None Electable by:All percussion principals Offered:Spring, Summer, Fall Description This lab explores the application of two bass drums (and double pedal) in the rock, jazz/rock, and funk/fusion styles. Technical coordination studies include feet positioning, continuous and noncontinuous grooves, and double bass fill/solo concepts.
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1.00 Credits
Credits:1 credit Prerequisites:ILPH-357, ILPH-359, or by audition Course Chair:D. Anderson Required of:None Electable by:Drum set and total percussion principals Offered:Spring, Fall Description Intended for students who have completed ILPH-371, this course will develop integrated applications of all Latin percussion concepts for the drum set. Topics include drum set performance with no percussionist and with one or more percussionists, physical integration of percussion instruments into the drum set for simultaneous performance by one player, and creation of custom sets and set-ups for specific musical situations. Topics will be examined from both traditional and nontraditional perspectives.
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0.50 Credits
Credits:0.5 credit Prerequisites:ET-212 and HR-212 Course Chair:D. Anderson Required of:None Electable by:All percussion principals, or others by permission of instructor Offered:Spring, Fall Description This course will help students improve the rhythmic aspect of singing as well as the singing aspect of drumming. It is especially suited to drummers and percussionists who wish to develop their craft by singing and drumming simultaneously. It is also good for vocalists who wish to better understand rhythm and rhythm styles.
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0.50 Credits
Credits:0.5 credit Prerequisites:ILPC-419 Course Chair:D. Anderson Required of:None Electable by:All percussion principals Offered:Spring, Fall Description A study of the traditional drum rudiments, including the 26 American rudiments and the Swiss rudiments, and their application to drum set performance. The study will include application of polyrhythmic principles and nontraditional integration of the foot pedals.
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5.00 Credits
Credits:.5 credit Prerequisites:ILPD-373 Course Chair:D. Anderson Required of:None Electable by:Drum set, hand percussion, and total percussion principals Offered:Spring, Fall Description Building on the foundation of ILPD-373, this lab will develop integrated applications of Caribbean percussion concepts for the drum set. Topics will include identification of various musical styles from Trinidad, Martinique, Guadeloupe, Haiti, Jamaica, Puerto Rico, Curacao, Cuba, and the Dominican Republic. Basic techniques and patterns for traditional percussion instruments and drum set applications of all rhythms (both with and without a percussionist) will be discussed. All topics will be examined from both a traditional and nontraditional perspective.
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0.50 Credits
Credits:0.5 credit Prerequisites:ILPD-211 Course Chair:D. Anderson Required of:None Electable by:Vibraphone, drum set, hand percussion, and total percussion principals Offered:Spring, Fall Description The drum set as a solo instrument. Analysis and concepts of fours, eights, and full-chorus drum set solos. Concepts for open drum solos, soloing over vamps, groove solos, in-time solos, and out-of-time solos. All styles will be covered.
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0.50 Credits
Credits:0.5 credit Prerequisites:ILPD-225 and ILPD-235 Course Chair:D. Anderson Required of:None Electable by:Drum set principals Offered:Spring Description This lab emphasizes post-bop and modern jazz techniques. Topics include advanced repertoire development, technique/coordination development, polyrhythmic application, and conceptual approaches along with transcription, listening, and analysis of a number of master drummers, such as Roy Haynes, Jack DeJohnette, and Tony Williams.
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0.50 Credits
Credits:0.5 credit Prerequisites:ILPD-339 Course Chair:D. Anderson Required of:None Electable by:All percussion principals Offered:Spring Description Advanced analysis and use of rhythms of other cultures, including odd time signatures. Incorporation of these rhythms into jazz and rock music for drum set.
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1.00 Credits
Credits:1 credit Prerequisites:None Course Chair:D. Anderson Required of:None Electable by:All nonpercussion principals Offered:Spring, Summer, Fall Description Rhythms, song styles, and percussion instruments of Cuba and other Afro-Caribbean regions. Development of performance skills in various rhythm styles through study of basic techniques of characteristic percussion instruments.
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1.00 Credits
Credits:1 credit Prerequisites:None Course Chair:D. Anderson Required of:Hand percussion principals Electable by:All percussion principals Offered:Spring, Summer, Fall Description An intensive study of West African drumming styles from the Ewe, Ga, and Dagbamba people of Ghana, West Africa. This course will emphasize three areas of performance techniques: straight stick, curved stick, and hand drumming styles. Repertoire studied will include Agbekor, Kpanlogo, and Damba. Teaching methods will incorporate call-and-response formats, videos, and transcriptions. Authentic instruments will be provided.
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