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Course Criteria
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0.50 Credits
Credits: 0.5 credit Prerequisites: ILGT-119 Course Chair: L. Baione Required of: None Electable by: Guitar principals Offered: Spring, Summer, Fall Description Performance of material from Country Guitar Styles, including single-note solos, pedal steel style, folk finger picking, and western swing.
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0.50 Credits
Credits:0.5 credit Prerequisites:ILGT-117, ILGT-119, and ensemble rating 3333 Course Chair:L. Baione Required of:None Electable by:All Offered:Spring, Fall Description Study and performance of guitar riffs, leads, and grooves as recorded by Harrison, Lennon, and McCartney. Role of the guitar in pop/rock recording and production, including triads, four-note voicings, characteristic rhythms, phrasing, effects, layering, and the mini-orchestra concept. Developing typical accompaniment patterns for contemporary songs.
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0.50 Credits
Credits:0.5 credit Prerequisites:ILGT-221 and ensemble rating 4444 Course Chair:L. Baione Required of:None Electable by:Guitar principals Offered:Spring, Fall Description A continuation of ILGT-221 using standards that present greater challenges. Tunes are prepared (melody, chords, bass line, and improvisation) for critiqued performance on a weekly basis. Techniques for and approaches to improvisation, including the application of melodic and harmonic minor scales and diminished and whole tone scales.
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2.00 Credits
Credits:0.5 credit Prerequisites:ILGT-223 Course Chair:L. Baione Required of:None Electable by:Guitar principals Offered:Spring, Fall Description A lab for guitar principals continuing the development of harmonic and voice-leading concepts introduced in ILGT-223. Various string combinations and voicing sizes will be introduced, and a more in-depth examination of modal harmonies and upper-structure triads will be developed.
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0.50 Credits
Credits:0.5 credit Prerequisites:ILGT-119 Course Chair:L. Baione Required of:None Electable by:Guitar principals Offered:Spring, Summer, Fall Description A systematic technique developing a complete rhythm section style of accompaniment playing, ideal for duo and trio situations. Class participation involves weekly performance of standard, jazz, blues, or Latin tunes.
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1.00 Credits
Credits:1 credit Prerequisites:ILGT-227 Course Chair:L. Baione Required of:None Electable by:Guitar principals Offered:Spring, Summer, Fall Description Students will record solo guitar pieces of their choice, which may include original arrangements, transcriptions, adaptations in various genres, and Guitar Department-produced handouts. Recordings may also include chord soloing with rhythm section.
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0.50 Credits
Credits:0.5 credit Prerequisites:ILGT-119 Course Chair:L. Baione Required of:None Electable by:Guitar principals Offered:Spring, Fall Description A systematic group approach designed to expose students to the correct interpretation and techniques necessary to perform all styles of rhythm guitar playing. A taped rhythm section is used for students to play along, which enhances their musical experience in this very important area of guitar performance.
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0.50 Credits
Credits:0.5 credit Prerequisites:ILGT-117 Course Chair:L. Baione Required of:None Electable by:Guitar principals Offered:Spring, Summer, Fall Description Applications, scope, and limitations of guitar synthesizers. Understanding the operating principles of guitar synthesizers as they have evolved with developments in technology. Discussion of appropriate performance techniques and related problems.
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0.50 Credits
Credits:0.5 credit Prerequisites:None Course Chair:L. Baione Required of:None Electable by:Guitar principals Offered:Spring, Summer, Fall Description Hands-on training with current digital equipment and electronic devices. Approaches to effective performance using various signal-processing equipment.
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1.00 Credits
Credits:1 credit Prerequisites:ILGT-119 Course Chair:L. Baione Required of:None Electable by:Guitar principals Offered:Spring, Summer, Fall Description Study and performance of the guitar playing style of George Benson through recordings and transcriptions. Students will focus on the artist's harmonic, melodic, and rhythmic styles.
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