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Course Criteria
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2.00 Credits
Credits: 2 credits Prerequisites: AR-201, AR-228, and HR-212 Course Chair: K. Pullig Required of: JCMP majors Electable by: All Offered: Spring, Summer, Fall Description Methodology of big band arranging. Analysis of scores by classic and contemporary big band arrangers. Library assignments and class discussion. Written arrangements and score analysis projects required.
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2.00 Credits
Credits:2 credits Prerequisites:AR-201 Course Chair:K. Pullig Required of:None Electable by:All Offered:Spring, Fall Description Jazz arranging techniques for the rhythm section and various small-group instrumental combinations of up to three horns (melodic voices). Emphasis on developing complete rhythm section sound (with or without winds) and advanced voicing techniques (including interval-based voicings, linear approach techniques, and constant structure).
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2.00 Credits
Credits: 2 credits Prerequisites: Written approval of course chair Course Chair: K. Pullig Required of: None Electable by: All Offered: Spring, Fall Description Extended applications of standard big band scoring techniques. Analysis of devices found in the compositions of major jazz writers.
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1.00 Credits
Credits:2 credits Prerequisites:HR-111 and either AR-111 or PW-110 Course Chair:G. Fritze Required of:Degree - all majors, except COMP and MUED majors; Diploma - FILM majors Electable by:All Offered:Spring, Summer, Fall Description Functional tonal harmony analyzed and composed in various musical textures. Emphasis on voice leading, melodic writing, and figured bass.
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2.00 Credits
Credits:2 credits Prerequisites:CM-211 and CP-211 Course Chair:G. Fritze Required of:Degree - all majors, exept COMP and MUED majors; Diploma - FILM majors Electable by:All Offered:Spring, Summer, Fall Description Continuation of CM-211. Advanced tonal harmony and intermediate compositional procedures. Emphasis on harmonies with sevenths, other upper extensions, chromatic alterations as well as modulation.
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2.00 Credits
Credits: 2 credits Prerequisites: CM-212 and CP-212 Course Chair: G. Fritze Required of: COMP and FILM majors Electable by: All Offered: Spring, Summer, Fall Description Specific techniques of traditional tonal composition. Conclusive and nonconclusive phrases; antecedent-consequent phrase relationships; open-ended phrase relationships; sequencing; modulation; large-scale tonal relationships; thematic variation and development. Application of these techniques in writing, using models from the classical period.
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2.00 Credits
Credits: 2 credits Prerequisites: CM-212 Course Chair: G. Fritze Required of: COMP and FILM majors Electable by: All Offered: Spring, Summer, Fall Description The technical aspects involved in creating finished, professional scores. Score layout; instrumental/vocal ranges and performance characteristics; special playing techniques and limitations; breath and bowing considerations; choice of key, meter, beat, and subdivision values; use of slurs, articulation marks, dynamics, tempo variation, and other devices for indicating expressive nuance; proper underlaying of vocal text; calligraphy; creating a practical piano reduction; extracting parts.
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1.00 Credits
Credits:2 credits Prerequisites:HR-111 and either AR-111 or PW-110 Course Chair:G. Fritze Required of:MUED majors Electable by:MUED majors Offered:Spring, Summer, Fall Description Diatonic harmonic analysis in various musical textures. Melody writing. Harmonization of melodies in various musical textures.
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2.00 Credits
Credits: 2 credits Prerequisites: CM-251 and CP-211 Course Chair: G. Fritze Required of: MUED majors Electable by: MUED majors Offered: Spring, Summer, Fall Description Continuation of CM-251. Advanced traditional harmony and intermediate compositional procedures. Seventh chords, altered chords, modulation.
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1.00 Credits
Credits: 2 credits Prerequisites: CM-221 and either COND-211 or COND-221 Course Chair: G. Fritze Required of: COMP and FILM majors Electable by: All Offered: Spring, Summer, Fall Description Specific techniques of traditional twentieth-century composition. Technical devices such as quartal harmony, serial writing, polytonality, and contrapuntal techniques. Assignments are directly related to each of these aspects of composition and are performed in class.
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