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ET 332: Harmonic Ear Training
2.00 Credits
Berklee College of Music
Credits: 2 credits Prerequisites: ET-331 Course Chair: S. Prosser Required of: None Electable by: All Offered: Spring, Summer, Fall Description This course is the continuation of ET331. Chord progressions will be more intermediate to complex in nature. The concepts of modal interchange harmony, substitute dominants, and modulation will be introduced. Voicings containing multiple tensions and upper structure triads will also be covered. More extensive transcription work of "real music" will be incorporated.
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ET 332 - Harmonic Ear Training
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ET 341: Rhythmic Ear Training
2.00 Credits
Berklee College of Music
Credits:2 credits Prerequisites:ET-112 Course Chair:S. Prosser Required of:None Electable by:All Offered:Spring, Summer, Fall Description Designed to improve the ability to sight-read and notate rhythms. Begins with recognition of simple common rhythmic phrases, and progresses to complete transcription of rhythms in recorded materials (baroque, Latin, disco, jazz).
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ET 341 - Rhythmic Ear Training
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ET 351: Fundamentals of Transcription
2.00 Credits
Berklee College of Music
Credits: 2 credits Prerequisites: ET-211 or ET-231 Course Chair: S. Prosser Required of: None Electable by: All Offered: Spring, Summer, Fall Description A course designed to teach the student how to transcribe instrumental and vocal recorded material as found in jazz, pop, and rock. Techniques for transcribing melody, harmony, and bass lines. This course is especially recommended for those students wishing to extend their skills in identifying chord progressions and rhythms.
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ET 351 - Fundamentals of Transcription
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ET 411: Advanced Ear Training
1.00 Credits
Berklee College of Music
Credits:2 credits Prerequisites:ET-212 or ET-232 Course Chair:S. Prosser Required of:None Electable by:All Offered:Spring, Summer, Fall Description Singing and aurally identifying intervals in tonal and nontonal situations. Intended to bridge the gap between relative pitch and hearing by interval alone. Preparation for singing atonal music.
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ET 411 - Advanced Ear Training
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ET 412: Advanced Ear Training
2.00 Credits
Berklee College of Music
Credits: 2 credits Prerequisites: ET-411 Course Chair: S. Prosser Required of: None Electable by: All Offered: Spring, Summer, Fall Description Continuation of ET-411.
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ET 412 - Advanced Ear Training
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ET 421: Atonal Solfege
1.00 Credits
Berklee College of Music
Credits:2 credits Prerequisites:ET-212 or ET-232 Course Chair:S. Prosser Required of:None Electable by:All Offered:Spring, Summer, Fall Description A continuation of solfege that concentrates on atonal music. Sol fa syllables are not used. Please note that this course is recommended for students who have a high potential in nontonal intervallic solfege.
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ET 421 - Atonal Solfege
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ET 422: Atonal Solfege
2.00 Credits
Berklee College of Music
Credits:2 credits Prerequisites:ET-421 Course Chair:S. Prosser Required of:None Electable by:All Offered:Spring Description Continuation of ET-421, including the choral works of Webern.
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ET 422 - Atonal Solfege
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ET 441: Popular Song Transcription
2.00 Credits
Berklee College of Music
Credits: 2 credits Prerequisites: ET-212, ET-232, or ET-351 Course Chair: S. Prosser Required of: None Electable by: All Offered: Spring, Summer, Fall Description Designed to teach the student how to transcribe songs and arrangements in current popular music. Most projects are chosen by the student in his/her area of musical interest. Project presentation in class.
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ET 441 - Popular Song Transcription
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ET 451: Jazz Solo Transcription
2.00 Credits
Berklee College of Music
Credits: 2 credits Prerequisites: ET-212, ET-232, or ET-351 Course Chair: S. Prosser Required of: None Electable by: All Offered: Spring, Summer, Fall Description Transcription of recorded jazz solos from various periods. Classroom analysis and discussion.
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ET 451 - Jazz Solo Transcription
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FS 131: History of Film Music
2.00 Credits
Berklee College of Music
Credits: 2 credits Prerequisites: None Course Chair: D. Carlin Required of: None Electable by: FILM majors; all other majors with chair permission Offered: Spring, Summer, Fall Description A survey of music in feature-length films from the silent period to the present day. An overview of stylistic scoring approaches that represent the most significant developments in the field. Discussion of works of composers who have contributed extensively to the development of film music, including representatives of newer trends in recent years. Extensive visual examples will be combined with independent aural analysis of a wide range of scores.
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FS 131 - History of Film Music
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