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  • ENVC 482: Concert Choir

    1.00 Credits
    Berklee College of Music

    Credits: 1 credit Prerequisites: By audition Course Chair: R. Savage Required of: None Electable by: All Offered: Spring, Summer, Fall Description A mixed choir performing a wide variety of repertory from baroque to contemporary with twentieth-century music stressed. An end-of-semester concert is usually scheduled.
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  • ENVC 485: Gospel Choir

    2.00 Credits
    Berklee College of Music

    Credits:2 credits Prerequisites:By audition Course Chair:R. Savage Required of:None Electable by:All Offered:Spring, Fall Description Large vocal ensemble with emphasis on traditional and contemporary gospel music. Concert performances during the fall and spring semesters. Note: A $15 refundable deposit for the use of a choir robe is required.
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  • ET 111: Ear Training

    1.00 Credits
    Berklee College of Music

    Credits: 3 credits Prerequisites: None Course Chair: S. Prosser Required of: All Electable by: All Offered: Spring, Summer, Fall Description Development of basic ear training skills through singing and dictation studies. Study of songs, intervals, and exercises in the major scales. Study of basic rhythm patterns.
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  • ET 112: Ear Training

    2.00 Credits
    Berklee College of Music

    Credits: 3 credits Prerequisites: ET-111 Course Chair: S. Prosser Required of: All Electable by: All Offered: Spring, Summer, Fall Description Continuation of ET-111. Development of basic ear training skills through singing and dictation studies. Study of diatonic materials including jazz standards, bass lines, melodic sequence, intervals, triads, seventh chords, and common harmonic progressions. Rhythmic study will derive from patterns occurring in classical and contemporary music.
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  • ET 211: Ear Training

    3.00 Credits
    Berklee College of Music

    Credits:2 credits Prerequisites:ET-112 Course Chair:S. Prosser Required of:All students not taking ET-231 Electable by:All Offered:Spring, Summer, Fall Description Continuation of ET-112. Ear training skills developed through singing and dictation drills. Selected chromatic syllables are presented through core melodic motives, forming the basis of melodic reading, melodic dictation, and the study and recognition of common harmonic models. Rhythm studies will be similarly presented through rhythmic core motives.
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  • ET 212: Ear Training

    4.00 Credits
    Berklee College of Music

    Credits: 2 credits Prerequisites: ET-211 Course Chair: S. Prosser Required of: All students not taking ET-232 Electable by: All Offered: Spring, Summer, Fall Description Continuation of ET-211. Modal singing and dictation studies. Interval studies, two- and three-part dictation. Basic atonal melodic studies.
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  • ET 231: Solfege

    1.00 Credits
    Berklee College of Music

    Credits:2 credits Prerequisites:ET-112 Course Chair:S. Prosser Required of:All students not taking ET-211 Electable by:All Offered:Spring, Summer, Fall Description Development of sight-singing skills using the traditional movable "do" method. Drills in rhythm, interval, and pitch. Singing exercises in major keys through four sharps and four flats in G and F clefs. Some studies in minor keys. Harmonic studies. Part singing. Contrapuntal and harmonic dictation.
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  • ET 232: Solfege

    2.00 Credits
    Berklee College of Music

    Credits: 2 credits Prerequisites: ET-231 Course Chair: S. Prosser Required of: All students not taking ET-212 Electable by: All Offered: Spring, Summer, Fall Description Continuation of ET-231. Sight-singing and harmonic studies in all major and minor keys. C clef drills. Rhythm patterns of increased complexity.
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  • ET 321: World Music Ear Training

    2.00 Credits
    Berklee College of Music

    Credits: 2 credits Prerequisites: ET-112 Course Chair: S. Prosser Required of: None Electable by: All Offered: Spring, Summer, Fall Description This course focuses on a variety of rhythmic patterns, percussive ostinatos, and melodic repertoire from around the world, with an emphasis on African, Caribbean, and South American traditional and popular music, as well as South Indian classical, Balkan, and Middle Eastern genres. In-class activity includes vocalization and rhythmic externalization exercises based on particular musical examples, general listening and aural analysis, and transcription of selected elements of a musical texture. Students examine music from the perspective of musical cognition, including the potential impact of cultural background on the formation of one's mental representation and the analysis of "ambiguous" musical structures. Homework assignments entail full or partial transcriptions of rhythmic and melodic elements, as well as exercises involving melodic solfege and rhythmic recitation designed to enhance a student's internal sense of time, pitch, and physical independence through singing or speaking of melody and rhythm in the context of its underlying essential metrical structure.
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  • ET 331: Harmonic Ear Training

    1.00 Credits
    Berklee College of Music

    Credits:2 credits Prerequisites:HR-112 and ET-112 Course Chair:S. Prosser Required of:None Electable by:All Offered:Spring, Summer, Fall Description This course will work within the limited scope of progressions including simple root position diatonic harmony, inversions, secondary and extended dominants, II-V patterns and passing diminished chords. Chord voicings containing one tension will aslo be covered. This course will include several activities that address application to "real music" situations.
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