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  • 4.00 Credits

    Cultures throughout the world have made their music in bewilderingly diverse ways. Listening to that diversity, students will develop and refine listening skills to enable them to approach world musics as a rich reserve of cultural knowledge--a particularly sonic way of knowing. Music cultures of Africa, India, indigenous America, Indonesia, and Japan are among those explored. Listening lab, selected readings, and writing projects; no knowledge of musical notation necessary. Four credit hours. A.
  • 4.00 Credits

    An introduction to chant from three very different faith traditions: Zen Buddhism, Roman Catholicism, and Hinduism. While various theoretical and historical concepts are engaged, in-class emphasis always is placed on the performance of chant and studies of and participation in meditative practices. Classes usually are divided into three activities: (1) discussion of readings and class questions, (2) relevant meditative practice, (3) chant instruction/performance. Each of the three chant units will conclude with a semipublic group performance scheduled outside of regular class time. A willingness to participate in group singing and meditation/contemplation is essential. Contact instructor about singing requirement. Four credit hours. A. NUSS
  • 3.00 Credits

    In her influential critical work Imperial Eyes, Mary Louise Pratt introduces the concept of "contact zone"--a site of interchange and tension among language, history, tradition, and authority that characterizes colonial and postcolonial cultures. Pratt's concept is a framework for examination of the dynamic play of musical and literary traditions in a perfect example of the contact zone: the Gandhi Ashram in Kalimpong, India. Focus is on ethical, cultural, and political implications of the school's educational approach in ways that consider an Indian way of reframing literary and musical issues of appropriation and ownership. Cost in 2007-08: $2,800. Financial assistance may be available; contact instructors. Three credit hours. A, I. ALBERT, RABATA, ROY
  • 3.00 Credits

    Advanced chromatic harmony, reductive analytical techniques, studies of late 19th- and early 20th-century forms, composition for a variety of standard instrumental combinations and multimedia formats. Continued work in ear training and keyboard harmony. Prerequisite: Music 182. Four credit hours. NUSS
  • 3.00 Credits

    Post-tonal harmony and contemporary analytical techniques. Primarily for music majors. Prerequisite: Music 281. Four credit hours. NUSS
  • 3.00 Credits

    The third in a three-course music history sequence for majors. A survey of the music of Western Europe and America beginning with Hector Berlioz and continuing to the present. Issues include the evolution of symphonic, operatic, solo piano, and solo song styles during the mid and late 19th century and the subsequent impact these genres had on the wide-ranging stylistic, philosophical, and technological directions music has taken since the early 20th century. Prerequisite: Music 111 and 182. Four credit hours. MACHLIN
  • 3.00 Credits

    A survey of Beethoven's biography and music and their reception histories. Issues include the Beethoven Mystique, the "Immortal Beloved," Beethoven's personality, deafness, compositional style, and creative process. Beethoven's influence on music by generations of composers and listeners, including the Romantics, and the music's appropriation in Nazi Germany. Beethoven's music in modern popular culture from Peanuts comic strips to A Clockwork Orange, Die Hard, and Immortal Beloved. Formerly offered as Music 397. Prerequisite: Music 182, 184, 241, or 242. Four credit hours.
  • 3.00 Credits

    Basic conducting techniques and their application to stylistic interpretation, designed to develop the student's ability to read, rehearse, and perform a full instrumental or choral score with fluency and insight. Analysis and preparation of scores from different eras in music history, involving basic principles of score reduction for keyboard rendition. Prerequisite: Music 281. Four credit hours. HALLSTROM
  • 4.00 Credits

    Listed as Anthropology 398. Four credit hours. KARL
  • 3.00 Credits

    Substantial original research or completion of a major creative project under faculty supervision, culminating in a written paper and/or a public presentation. Prerequisite: 3.25 overall grade point average, 3.5 major average at the end of the junior year, and permission of the department. Three credit hours. FACULTY
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