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Course Criteria
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3.00 Credits
The course examines photography in Africa through two distinct lenses: that of the nonindigenous outsider and that of the African insider. The first half of the course is devoted to photographic representations of Africa by European and American explorers, missionaries, colonial officials, and tourists from the nineteenth century to the present. In the second half of the course, the works of African photographers from the nineteenth century to the present are examined, as well as the interface/distance between these photographers and their nonindigenous counterparts. Open to first-year students. Enrollment limited to 25. A. Bessire.
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3.00 Credits
This course emphasizes drawing from the human figure, the development of conceptual drawing attitudes, and drawing as a medium of lyrical expression. Recommended background: previous drawing experience. Not open to students who have received credit for Art and Visual Culture 312. Open to first-year students. Enrollment limited to 15. Normally offered every year. R. Feintuch, P. Johnson, J. Nicoletti, P. Jones.
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3.00 Credits
Continued study from the human figure. Prerequisite(s): Art and Visual Culture 312A. Not open to students who have received credit for Art and Visual Culture 312. Open to first-year students. Instructor permission is required. Normally offered every year. R. Feintuch, P. Johnson, J. Nicoletti, P. Jones.
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3.00 Credits
An opportunity to combine experience from other painting courses with post-1945 painting practices. Students are encouraged to develop individual responses to thematic material. Consideration is given to the interaction of image, process, and meaning. Prerequisite(s): any painting course including Art and Visual Culture 202A, 214A, or 215A. Not open to students who have received credit for Art and Visual Culture 314. Enrollment limited to 10. Normally offered every year. R. Feintuch, P. Johnson, J. Nicoletti.
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3.00 Credits
Continued study of painting. Prerequisiste(s): Art and Visual Culture 314A. Instructor permission is required. Normally offered every year. R. Feintuch, J. Nicoletti, P. Johnson.
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3.00 Credits
Students develop images using intaglio printmaking processes including drypoint, etching, softground, aquatint, sugar-lift, photo-transfer, multiple plate, and color printing. Emphasis is placed on development of sustained independent projects and critical thinking. There is a laboratory fee. Prerequisite(s): Art and Visual Culture 212 or 365A. Open to first-year students. Enrollment limited to 10. Instructor permission is required. Normally offered every year. P. Johnson, E. Jabar.
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3.00 Credits
Continued study of intaglio printmaking processes. There is a laboratory fee. Prerequisite(s): Art and Visual Culture 316. Instructor permission is required. Normally offered every year. P. Johnson.
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3.00 Credits
Further study of intaglio printmaking processes. There is a laboratory fee. Prerequisite(s): Art and Visual Culture 317A. Instructor permission is required. Normally offered every year. P. Johnson.
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3.00 Credits
Continued study in film-based or digital photography, offering refinement in technical skills as introduced in Art and Visual Culture 218 or 219. The further development of perception and critical analysis of images is emphasized. There is a laboratory fee. Prerequisite(s): Art and Visual Culture 218 or 219. Open to first-year students. Enrollment limited to 11. Normally offered every year. E. Morris.
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3.00 Credits
This course offers advanced studies in the perception and generation of photographic images, using film-based or digital techniques. Emphasis is on photographic projects that are independently conceived and undertaken by the student. There is a laboratory fee. Prerequisite(s): Art and Visual Culture 318. Enrollment limited to 4. Instructor permission is required. Normally offered every year. E. Morris.
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