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  • AA 251: History,Agency,and Representation in the Making of the Caribbean

    3.00 Credits
    Bates College

    One anthropologist writing about the Caribbean asserts: "Nowhere else in the universe can one look with such certainty into the past and discern the outlines of an undisclosed future." Caribbean social systems bore the full impact of Western imperial expansion yet have adjusted to it in resilient and creative ways. The course surveys and interprets aspects of Caribbean life, and the ways in which they have been represented, drawing on a variety of sources-historical, ethnographic, literary, and visual. Open to first-year students. Enrollment limited to 20. Normally offered every year. C. Carnegie.
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  • AA 252: Contemporary Issues in Dance

    3.00 Credits
    Bates College

    This course focuses on current dance works and some of the issues that inform contemporary dance practices. Discussions include the ways in which choreographers, performers, and societies confront matters of political climate, cultural diversity, entertainment, globalization, and the politicized human body in dance. Open to first-year students. [W2] C. Dilley.
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  • AA 253: The African American Novel

    3.00 Credits
    Bates College

    An examination of the African American novel from its beginnings in the mid-1800s to the present. Issues addressed include a consideration of folk influences on the genre, its roots in the slave narrative tradition, its relation to Euro-American texts and culture, and the "difference" that gender as well as race makes in determining narrative form. Readings include narratives selected from among the works of such writers as Douglass, Jacobs, Wilson, Delany, Hopkins, Harper, Chesnutt, Johnson, Toomer, Larsen, Hurston, Wright, Petry, Ellison, Baldwin, Walker, Morrison, Marshall, Reed, and others. Prerequisite(s): one 100-level English course. Open to first-year students. Enrollment limited to 25. T. Robinson.
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  • AA 268: Survey of Literatures of Africa

    3.00 Credits
    Bates College

    This course explores folklore, myths, and literary texts of the African continent. These include works written by Anglophone authors such as Achebe, Soyinka, Ngugi, Vera, Njau, Nwapa, and Head; those drawn from oral traditions of indigenous languages transcribed into English, such as The Mwindo Epic and The Sundiata; and those written by Lusophone and Francophone authors including Ba, Senghor, Liking, Neto, Mahfouz, and Kafunkeno. The course contextualizes each work historically, politically, and anthropologically. Students are introduced to a number of critical theories and methodologies with which to analyze the works, such as poststructural, Marxist, Pan-African, postcolonial, and feminist. Prerequisite(s): one of the following: African American Studies 100 or 140A, African American Studies/English 121X, 212, 253, African American Studies/Rhetoric 162, Anthropology 155, 228, English 292, 294, or 295. S. Houchins.
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  • AA 292: Introduction to African Art

    3.00 Credits
    Bates College

    This course examines the royal and religious arts of sub-Saharan Africa. The arts commissioned by African kingdoms and royal individuals to define royal identity are explored, as well as the ways in which these arts have been interpreted by the populace. In addition, the course addresses the arts related to religion, many of which interface with arts in the royal context. This includes discussions of divination and religious belief systems, arts related to spirit possession, the role of art in communicating with another realm, and the ways that religious arts have been affected by missionaries, colonialism, and postcolonialism. Not open to students who have received credit for Art and Visual Culture 292. Open to first-year students. A. Bessire.
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  • AA 294: Religious Arts of the African Diaspora

    3.00 Credits
    Bates College

    This course examines the religious arts of the African diaspora. The arts related to the religious traditions of Candomblé, Lucumí (Santería), Rastafarianism, Vodun, and Kongo-derived religions are explored through a multidisciplinary lens. Contemporary visual culture is discussed in addition to arts created for the purpose of worship or memory, such as sculptural figures, altars, garments, and yard shows. In exploring these arts of the diaspora, the course considers and challenges constructions of race, ethnicity, and Africanicity from insiders' and outsiders' perspectives. Not open to students who have received credit for African American Studies/Art and Visual Culture s20. Enrollment limited to 20. A. Bessire.
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  • AA 390E: African Slavery in the Americas

    15.00 Credits
    Bates College

    Of the millions of immigrants who arrived in North and South America during the colonial period, the majority came not from Europe but from Africa. They came not for freedom but as human property, facing a lifetime of bondage for themselves and their offspring. Far from being the "peculiar institution" that whites in the U.S. South called it, slavery existed throughout the Americas before its abolition in the nineteenth century. By reading contemporary scholarship and examining such primary sources as music, letters, autobiographies, and material artifacts, students gain a sense of the ways Africans and African Americans survived and influenced an institution that sought to deny their humanity. Enrollment limited to 15. (United States.) [W2] J. Hall.
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  • AA 391C: The Harlem Renaissance

    3.00 Credits
    Bates College

    This course examines the New Negro Movement and the extraordinary creativity in the arts and in other aspects of intellectual life by African Americans in the 1920s and 1930s. Although this cultural phenomenon was national in scope, most scholars agree that New York City, and Harlem in particular, was its epicenter. Topics include racial, gender, and cultural identities in literature, theater, the performing and visual arts; the formation of black queer culture; and the role in promoting the arts by political organizations such as the National Association for the Advancement of Colored People (NAACP) and Marcus Garvey's Universal Negro Improvement Association (UNIA). Prerequisite(s): one of the following: African American Studies 100 or 140 or African American Studies/Rhetoric 162. Enrollment limited to 15. [W2] C. Nero.
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  • AA 395Z: African American Literature and the Bible

    3.00 Credits
    Bates College

    The Bible is unmatched in its influence on African American literary and cultural traditions. No other book has inspired such a broad scope of oral and written work. From explorations of the Exodus narrative to the Gospel writers' parables of Jesus, this course examines the way Hebrew and Christian biblical texts have inspired African American artists. Beginning with oral traditions such as spirituals and sermons, students then consider the Bible's role in scribal literacy and political discourse, and conclude with its impact on contemporary writers. Students combine interpretation of biblical texts and course readings with literary/cultural theory and criticism. Prerequisite(s): one 100-level English or African American studies course. Enrollment limited to 15. Instructor permission is required. (Critical thinking.) [W2] Staff.
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  • AA AN S28: Cultural Production and Social Context,Jamaica

    3.00 Credits
    Bates College

    Although Jamaica's artistic and popular culture enjoys international acclaim, it is at the same time often misunderstood. This course affords students an opportunity to investigate a range of Jamaican cultural practices within the context of the specific social, historical, and political matrices in which they are generated and received. This course begins with a preliminary introduction/orientation in Lewiston. In Jamaica, regular seminar meetings are supplemented by guest speakers and visits with writers and artists. In addition, each student carries out an individual research project using both textual and ethnographic methods of inquiry. Recommended background: coursework on the Caribbean or in African American studies. Enrollment limited to 15. Instructor permission is required. C. Carnegie.
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