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  • HS 234: Wildlife Law Seminar

    3.00 Credits
    College of the Atlantic

    In his seminal essay on the "Land Ethic," Aldo Leopold explores the incongruity between man's legal structures and the natural world around him. Ken Cline
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  • HS 240: World Ethnography in Film

    3.00 Credits
    College of the Atlantic

    This course is intended to give a view of how different peoples of the world live and what their homes, dress, customs, and work are like... Elmer Beal
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  • HS 241: World Poetry

    3.00 Credits
    College of the Atlantic

    This course focuses on the global literary figures that have most influenced the shape of American poetry today. William Carpenter
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  • HS 245: Writing Seminar I

    3.00 Credits
    College of the Atlantic

    While individual sections of this class may adhere to a specific theme such as nature, culture, or biological sciences, this course is designed primarily to prepare students to write academic papers. Katharine Turok
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  • HS 263: Environmental Issues in Developing Countries

    3.00 Credits
    College of the Atlantic

    What do global warming, biodiversity loss, deforestation, loss of topsoil and desertification, increased risk to hazards such as floods and tsunamis, and coral reef decline have in common Davis F. Taylor
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  • HS 266: African American Literature

    3.00 Credits
    College of the Atlantic

    This survey of African American literature from its origins in the slave narrative to the present vivid prose of some of America's best writers considers the impact of slavery and race consciousness on literary form and power. Karen Waldron
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  • HS 268: History of the American Conservation Movement

    3.00 Credits
    College of the Atlantic

    Meets the following requirements: HS HY This course provides students with an overview of the American conservation movement from the 1840s through the present. Through an examination of historical accounts and contemporary analysis, students develop an understanding of the issues, places, value conflicts, and people who have shaped conservation and environmental policy in the United States. They also gain an appreciation for the relationship between the conservation movement and other social and political movements. Students should come away with a sense of the historical and cultural context of American attitudes toward nature. We also seek to apply these lessons to policy debates currently underway in Maine. Working from original writings, students do indepth research on a selected historical figure. Evaluation is based on problem sets, group activities, participation, and a final paper. Level: Introductory. *HS* *HY Instructor: Ken Cline
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  • HS 270: Chinese Philosophy

    3.00 Credits
    College of the Atlantic

    This is a course in the study of Chinese philosophy and culture. John Visvader
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  • HS 271: City/Country:Literary Landscapes

    3.00 Credits
    College of the Atlantic

    Meets the following requirements: HS This class focuses on American fiction from the realist/naturalist period (roughly 1860-1920), a time when enormous changes were occurring in and on the American landscape. Increasing urbanization, immigration, and industrialization corresponded both with a desire for 'realistic' fiction of social problems, and nostalgic stories of a more 'realistic' rural life. For the first time there was a national literature, resulting from the capabilities of large publishing houses, urban centers and mass production - but this national literature was acutely self-conscious of regional differences, and especially of the tension between city and country. As writers tried to paint the American landscape in literature, their works subsumed major social issues to place and formal arguments about the true nature of realistic description. Examining works that portray factory towns, urban tenements, midwestern prairies, New England villages, and the broad spectrum of American landscapes, we look at how a complex, turbulent, multi-ethnic, and simultaneously urban and rural American culture defined itself, its realism, and thus its gender, class, race, and social relations and sense of values, against these landscapes. There are two extra, evening classes during week 7 (Short Fiction Week), and a modest lab fee. Evaluation is based on weekly response papers, two short papers, and a short fiction project, as well as class participation. Level: Introductory/Intermediate. Prerequisite: Writing Seminar I (or the equivalent) or permission of the instructor. *HS* Instructor: Karen Waldron
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  • HS 280: Contemporary Women's Novels

    3.00 Credits
    College of the Atlantic

    Meets the following requirements: HS This course selects from among the most interesting, diverse and well-written of contemporary women's fiction to focus on questions of women's writing (and how/whether it can be treated as a literary and formal category), gender identity and women's issues, and the tension between sameness and difference among women's experiences, and narrations of women's experience, around the world. The course begins by examining two relatively unknown yet rather extraordinary novels from earlier in the twentieth century: Alexandra Kollantai's Love of Worker Bees (1927) and Sawako Ariyoshi's The Doctor's Wife (1967). After these, we read from truly contemporary authors and quite varied authors published within the last twenty years, like Buchi Emecheta, Gloria Naylor, Ursula Hegi, Nawal El Saadawi, Sue Grafton, Graciela Limon, Tsitsi Dargarembga, Barara Yoshimoto, Dorothy Allison, Rose Tremain, Julia Alvarez, Leslie Feinberg, April Sinclair, and Achy Obejas. Students each choose an additional author to study and read a novel outside of class. An extensive list of authors is included in the syllabus. Evaluation be based on class participation, either two short papers or one long paper on works discussed in class, a presentation to the class of the outside novel, and a final evaluation essay. Level: Intermediate/Advanced. Prerequisite: a previous literature course and signature of the instructor. Offered every other year. *HS* Instructor: Karen Waldron
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