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Course Criteria
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3.00 Credits
Prof. Tuttle. Painting and sculpture in Italy from the High Renaissance to the Counter Reformation.
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3.00 Credits
Staff. A survey of the major architects and their principal achievements in theory and design during the period 1400-1600.
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3.00 Credits
Prof. Walker. Examines major developments in European art during the seventeenth century. Works of art will be discussed in terms of the historical, social, and artistic trends that surround them.
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3.00 Credits
Prof. Walker. Seventeenth-century art in the Netherlands. Topics include the development of new genres in the Habsburg Netherlands, the rise of the Dutch Republic, the question of Dutch realism, as well as artists such as Rubens, Rembrandt, and Vermeer. Note: Counts toward the course distribution requirement in group B: Medieval, Renaissance and Baroque Art.
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3.00 Credits
Prof.Walker. Survey of Italian painting and sculpture in the seventeenth century. Topics include artistic responses to the Counter-Reformation, the Carracci reform of painting, Caravaggio and Caravaggism, the tension between realism and classicism, Bernini, and theoretical approaches to baroque style. Note: Counts toward the course distribution requirement in group B: Medieval, Renaissance and Baroque Art.
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3.00 Credits
Staff. The background and foundation of modern art. Consideration of the influence of social, cultural, and political forces on 19th-century European painting and sculpture from 1789 to 1863.
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3.00 Credits
Prof. Brumfield. An introduction to the art and architecture of Russia, from the 12th century to the present. The first part of the course deals with the medieval period (church architecture, icons, frescoes). The second part begins with the assimilation of western European styles during the 17th century, and concludes with a survey of current developments in Russia. Note: No knowledge of Russian required. Counts as elective credit towards the art history major. (Same as RUSS 353.)
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3.00 Credits
Professor Foa This course will analyze art produced in Europe from the mid-19th century through the early 20th century, with a particular emphasis on French painting. We will consider the work and reputations of key artists such as Manet, Monet, Cassatt, Seurat, and Cézanne, situating their work in relation to the political, socio-economic, and cultural changes that took place during this period.
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3.00 Credits
Staff. Symbolism, art nouveau, the development of fauvism, expressionism, cubism, futurism, constructivism, de stijl, dada, surrealism, abstract expressionism, pop, minimal, conceptual, and the other artistic styles and movements in the 20th century in Europe and America, with emphasis on painting and sculpture and the forces and theories that influenced them. Some consideration of architecture.
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3.00 Credits
Prof. Plante. Analysis of visual and material culture from the first European contact to the onset of the Civil War. Considers the transformation of cultural forms from the old world to the new in developments such as the rise of American urbanism and the formation of a “national†iconography as seen in portraiture, genre painting, and the establishment of a landscape painting tradition in the United States.
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