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ADGM 6300: Theories in Digital Media
3.00 Credits
Tulane University of Louisiana
A. Eloueini. This course is devoted to the reading and analysis of key theoretical and critical texts of the recent past related to digital media and information age technology. The focus of the course is the conceptual and formal ideas associated with computation, their application and development. Satisfies: [E]
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ADST 2000: Introduction to African and African Diaspora Studies
3.00 Credits
Tulane University of Louisiana
Staff. This course serves as an introduction to the study of Africa and its Diaspora and is intended to help students understand the complexities of interdisciplinary approaches to area studies. Emphasis will be placed on the complementary nature of such scholarship and a portion of the course is devoted to learning how the “same†issue or thematic is treated in diverse ways depending on the disciplinary perspective of the scholar.
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ADST 2010: Methods in African & African Diaspora Studies
3.00 Credits
Tulane University of Louisiana
Prof. Nghana Lewis, Prof. Fatou Sarr. This course introduces students to major theories and methods in African & African Diaspora Studies." "
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ADST 3100: Issues in Afro-Atlantic Studies
3.00 Credits
Tulane University of Louisiana
Staff. An exploration of some of the central themes of Afro-Atlantic Studies through the study of selected issues arising out of the Afro-Atlantic moral, cultural, political, and religious experience.
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ADST 3200: Issues in African Studies
3.00 Credits
Tulane University of Louisiana
Staff. An exploration of some of the central themes of African studies through the study of selected issues arising out of the African moral, cultural, political, and religious experience.
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ADST 3300: Issues in African Diaspora Studies
3.00 Credits
Tulane University of Louisiana
Staff. An exploration of some of the central themes of African Diaspora Studies through the study of selected issues arising out of the African Diasporic moral, cultural, political, and religious experience.
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ADST 3300 - Issues in African Diaspora Studies
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ADST 3550: Third World Cinema
3.00 Credits
Tulane University of Louisiana
Prof. Ukadike. This course surveys the cinematic practices of the developing nations of Africa, Asia, Latin America and the Middle East. The filmic practice, at once revolutionary and ideological, has not only produced some of the world’s most striking filmic innovations, but is now recognized as having initiated a new phase and expanded definitions of the art of cinema. The issues to be addressed include: the development of a national cinema, the impact of politics on film style, video and television culture, the commonalities and differences in modes of production, the relationship of film to the societies’ values and cultures and the role of cinema as a mediation of history. (Same as COMM 3550).
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ADST 3750: From Community to Stage
3.00 Credits
Tulane University of Louisiana
Prof. Felipe Smith; Prof. Barbara Hayley. This course introduces students to the story circle methodology as formulated by the Free Southern Theater and Junebug Productions. Students also learn the history of the Free Southern Theater and the Black Arts Movement in the South. Collaboration with local artists will result in the production of an original theatrical performance at the end of the semester. (Same as THEA 375).
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ADST 3890: Service Learning
1.00 Credits
Tulane University of Louisiana
Staff. Pre-requisite: Departmental approval. Students complete a service activity in the community in conjunction with the content of a three-credit corequisite course.
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ADST 4180: African Cinema
3.00 Credits
Tulane University of Louisiana
Professor Ukadike This course will provide a critical and interdisciplinary look at the development of African cinema from its inception in the 1960s to the present. In looking at this period, we will move from the sociopolitical upheavals of late colonialism to the recent phase of introspection and diversification. The relationship of cinematic practices to transformation in the social and economic sphere will be examined, as well as the creation of distinctively African film styles based on oral traditions. In pursuing these topics, we will consider the impact of technology, history and culture, ties to the cinema of other developing nations and co-productions. (Same as COMM 418).
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