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Course Criteria
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3.00 Credits
This course examines war as depicted in documentaries and feature film. It focuses on cinematic representations of war on the home front and the battle front, as well as on depictions of movements for avoiding or resisting war. Pre: WRI 1200 and either WRI 1150 or any 2000 level ENG or LIT course.
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3.00 Credits
Though slavery was abolished after the Civil War, its legacy persists and continues to provide a compelling subject for American literary artists. This course will focus on representations of slavery and its aftermath in American literature, from Ante-bellum slave narratives to twentieth century novels, dramas and films. Pre: WRI 1200 and either WRI 1150 or any 2000 level ENG or LIT course.
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3.00 Credits
This class offers an introduction to the Pidgin literature in Hawai'i, focusing on fiction, poetry, drama, and essays. Some of the topics covered in the class include the historical development of Pidgin literature, the establishment of a narrative voice reflecting the ethnic populations of Hawai'i, serious and intellectual themes conveyed through Hawai'i Creole English writings, debates around Pidgin's linguistic and dialectal authenticity, and the connection between Pidgin literature and Hawai'i's Local comedy. Proficiency in Pidgin is recommended but not required. Pre: WRI 1200 and either WRI 1150 or any 2000 level ENG or LIT course.
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3.00 Credits
Students will study comic British texts across literary periods, from medieval through contemporary, within theoretical frameworks of culture, class, and gender. Students will study comic theory, consider how sociocultural factors shape responses to humor, and gain a deeper understanding of British literature, culture, and the multiple dimensions of humor. Pre: WRI 1200 and either WRI 1150 or any 2000 level ENG or LIT course.
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3.00 Credits
This course examines the concept of gender in relation to texts. The particular emphasis varies and is reflected in the course title. Students may analyze texts by writers of a particular gender or sexual orientation, representations of femininity and masculinity, or social constructions of gender in and by texts. (Examples are listed below numbered 3251-3299) Pre: WRI 1200 and either WRI 1150 or any 2000 level ENG or LIT course.
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3.00 Credits
The course examines stories by and about women, and yet it is not a course about women. We will look at the windows through which various women have looked at life, but that life, and even those windows, are not exclusively theirs. We will find in women's stories the conventions that have become integral parts of what all of us think of as story. We will move sometimes chronologically, sometimes by theme, to see how women's story conventions have evolved, and we will be inclusive in our definition of "story." We will look at works from Japan,from Europe, from America - and from American women of several cultures. We will look at novels, short stories, and also movies and television. Pre: WRI 1200 and either WRI 1150 or any 2000 level ENG or LIT course.
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3.00 Credits
This upper division literature course explores identity politics shaped by class, race, gender, and sexuality within the poetry, prose fiction, drama, biographical and critical essays by Native-American, African-American, Asian- American, Latina/Chicana, and Pacific-Islander writers; discussion themes include power and status, erasure and marginality, and the establishment of narrative voice as counter-narrative within dominant forms of literary discourse. Pre: WRI 1200 and either WRI 1150 or any 2000 level ENG or LIT course.
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3.00 Credits
Courses in the 3300 series explore ways theories shape interpretations in both academe and everyday life. Contemporary theories are usually emphasized, but a study of earlier, alternative, minority, indigenous, and non-Western approaches may also be included. The specific theme and focus will be reflected in each course title. Pre: WRI 1200 and either WRI 1150 or any 2000 level ENG or LIT course.
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3.00 Credits
A comparative study of the poetics and rhetorics of narratives captured on page and on screen. By examining written texts (prose, plays, myths, biographies and histories) and their adaptations to the screen (or vice versa), students will learn how texts change as they are translated from one medium to another. Pre: WRI 1200 and either WRI 1150 or any 2000 level ENG or LIT course.
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3.00 Credits
In this class, students serve as editors for Wanderlust: The Student Literary Magazine of Hawai'i Pacific University. In addition, students polish their own creative writing skills in order to produce publishable poetry, prose, or drama. Pre: Any 2000-level ENG or LIT course; or WRI 1150 and WRI 1200.
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