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Course Criteria
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3.00 Credits
A continuation of Design Studio I with an emphasis on color, painting, and other media not presented in Studio I. An introduction to a variety of media used for theatrical design presentations. Students are also introduced to working in digital media like PhotoShop as a further aid to theatrical design.
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3.00 Credits
Basic technology for performance production. Costume materials and construction, scenery rigging and movement, lighting equipment and technology, and sound equipment and practices.
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3.00 Credits
The course begins by diagnosing the individual's accustomed use of the body, employing the theories of F.M. Alexander to examine alignment and conditioning of the body in neutral. Drawing from diverse vocabularies such as Feldenkrais, modern dance, and contact improvisation, we explore the organic use of the body in motion.
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3.00 Credits
This class continues the work begun in Movement I, moving to expand the body's capabilities by drawing from such vocabularies as Laban; mime, gesture, and Psychological Gesture; and Animal Essences. An exploration of movement and gesture for blue-screen, green-screen, and motion-capture work comprises one unit of the class.
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3.00 Credits
Exploration of essential movement and characterization using neutral and character masks and techniques adapted primarily from theories of masters of theatrical mask, such as Jacques LeCoq.
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3.00 Credits
Using standard stage weapons (unarmed, rapier/dagger, quarterstaff, broadsword, and knife), students improve reflexes, balance, strength, and form, and learn to safely execute stage fight choreography, with and without dialogue.
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3.00 Credits
Voice II focuses on speech and dialect addressing issues such as articulation, diction, dialect reduction, standard American speech, and dialect using IPA and Lessac's vocal notion as tools.
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3.00 Credits
This course focuses on the use of the voice in verse drama, poetry, and heightened text looking both technically at the use of scansion, figures of speech, diction, phrasing, and at the connection of breath and voice to meaning and intention.
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3.00 Credits
This course focuses on the use of the voice in media, including vocal extremes and character voices. Examination of the business of marketing, the actor as a voice over artist, and ultimately production of a professional voice reel.
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3.00 Credits
Role analysis and the problems and techniques of creating subtext with special relation to text and improvisation.
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