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Course Criteria
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3.00 Credits
Three hours per week. Prerequisite: Nine hours credit at the 300 level or consent of the instructor. Topics and approaches will vary from year to year. The course may present a chronological study (from Madame de la Fayette to Camus and Robbe-Grillet) or concentrate on an historical period or theme (e.g., the realistic novel of the nineteenth century or women writers). The course will focus on the novel as a genre and on the different techniques used by French writers in different literary periods.
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3.00 Credits
Three hours per week. Prerequisite: Nine hours credit at the 300 level or consent of the instructor. A chronological study of French poets from Villon to the present. The course will include the Renaissance love poetry of Sceve and Ronsard and the masters of such literary movements as Romanticism, Symbolism and Surrealism, as well as examples from recent practitioners in the poetic genre.
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3.00 Credits
Three hours per week. Prerequisite: Nine hours credit at the 300 level or consent of the instructor. A chronological study of French poets from Villon to the present. The course will include the Renaissance love poetry of Sceve and Ronsard and the masters of such literary movements as Romanticism, Symbolism, and Surrealism, as well as examples from recent practitioners in the poetic genre.
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3.00 Credits
Three hours per week. Prerequisite: Nine hours credit at the 300 level or consent of the instructor. May be repeated for credit when the topic has changed. The study of a special topic in French literature (e.g., contemporary literature after 1968 or existentialist novels), language (e.g., literary translation or phonology) and civilization.
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3.00 Credits
Three hours per week. Prerequisite: Nine hours credit at the 300 level or consent of the instructor. May be repeated for credit when the topic has changed. The study of a special topic in French literature (e.g., contemporary literature after 1968 or existentialist novels), language (e.g., literary translation or phonology), and civilization.
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3.00 Credits
Three hours per week. A seminar course that explores various aspects of filmmaking, which may include script development, pre-production, film music, new technology, sound design, digital cinematography, basic computer animation, studio versus independent films and other interesting film concepts.
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3.00 Credits
Three hours per week. Prerequisites: FVA 101. A basic immersion in and introduction to screenwriting, which will cover idea development, outlining, treatments, story, character, conflict, visual story-telling, setting, dialogue, emotional tone, stage directions, professional format, the Five-Minute Short Film, and the Workshop Process.
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4.00 Credits
Six hours per week. No pre-requisites. This introductory class teaches effective techniques for designing, modeling, texture-mapping, lighting and rendering 3D models. Students explore polygonal, NURBS and Subdivision Surfaces modeling techniques. The instructor emphasizes efficiency, animatability and quad-based topology throughout the class. Students learn appropriate methods of displaying their models in print and video.)
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4.00 Credits
Six hours per week. No prerequisite. This is a course in bringing characters to life through proper animation mechanics. Starting from a simple bouncing ball and proceeding to more complex characters, students will learn the principles of animation by animating characters to solve animation problems. The class also addresses the necessary modeling and rendering skills needed to turn their animations into a working demo reel.
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1.00 - 4.00 Credits
Three hours per week. May be repeated for credit as content changes. Particular topics or themes in film and its technology.
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