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Course Criteria
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2.00 Credits
One hour lesson per week; minimum of 10 hours practice per week. Prerequisite: Successful completion of four semesters of MUS 105 or MUS 102, or consent of department. May be repeated for credit. These courses do not count toward a major or minor in music.
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1.00 Credits
One-half hour lesson per week; minimum of 5 hours practice per week. Prerequisite: Successful completion of four semesters of MUS 105 or MUS 102, or consent of department. May be repeated for credit. These courses do not count toward a major or minor in music.
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1.00 Credits
Two hours per week. Prerequisite: Theory MUS140 or consent of the instructor. Designed for pianists and non-pianists alike, Jazz Piano provides an overview of the techniques utilized by professional jazz pianists and a basic working knowledge of the piano keyboard. The class will cover various chord structures (chord voicing) to be placed in basic diatonic progressions, the use of color tones in different chord types, and the changing roles of the left and right hand for comping (complementing) and for improvising. This course will also introduce the student to jazz standard repertoire by implementing American Jazz Standard song forms as a medium for developing these techniques.
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1.00 Credits
Two hours per week. Required for students with voice as their principal applied area. Offered alternate years. A laboratory course in the sung pronunciation of French and German song repertory and arias. Phonetic aspects of language are approached through use of the International Phonetic Alphabet. Required for students with voice as their principal applied area.
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3.00 Credits
A study of music as a business and identifying income sources, including introductory discourse of arts administration and music products. Contractual terminology relating to protecting compositions, including copyright and intellectual property law, music publishing licensing, and songwriting agreements are discussed. The differences in mechanical, performance, synchronization, grand and dramatic rights are compared.
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3.00 Credits
Prerequisite: MUS 317 or consent instructor. Analysis of artist and concert management, including talent agencies, personal management, performance and recording contracts, tours, artist promotion, concert promotion, concerts, riders, venues, audience projections, and finance.
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3.00 Credits
Prerequisite: MUS 317 or consent instructor. Study of market structure and analysis, A&R, creative services, distribution patterns, promotion, royalty distribution, in-house production, marketing, charts, airplay, pricing, and legal aspects. Other aspects of recording including contracts, royalty statements, and record producer agreements are analyzed.
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2.00 Credits
Prerequisite: MUS 317 or consent instructor. An in-depth discussion of songwriting, including analysis of standard repertoire and the composition of songs in popular formats. Hands-on use of the recording facility to produce recordings for the campus-based record company. MUS 320L. Music Production Lab (1; S even Co-requisite class with MUS 320 Music Production and Songwriting. Participation in recording projects for CD release as producer, songwriter, and session musician.
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1.00 Credits
Co-requisite class with MUS 320 Music Production and Songwriting. Participation in recording projects for CD release as producer, songwriter, and session musician.
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3.00 Credits
Prerequisite: MUS 317 or consent instructor. Identification of opportunities in the entertainment marketplace, exploration of resources to explore those possibilities, and committing the necessary resources to achieve long-term gain. This course fulfills the writing-intensive requirement of the music business concentration.
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