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Course Criteria
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3.00 Credits
3 credits A workshop in writing for television, with emphasis on script form and screenplay. Analysis of various types of shows, from soap operas to situ ation comedies. Prerequisite: ENG 1001A. Offered: 2008 - 2010.
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3.00 Credits
3 credits A sampling of works by other fourteenth-century English poets, fol lowed by an intensive study of Chaucer, Troilus, and Criseyde. Prerequisites: Sophomore standing or beyond, ENG 1001A. Offered: 2008 - 2010.
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3.00 Credits
3 credits A survey of the various forms of medieval European literature includ ing epics, romances, saints' legends, beast fables, didactic and homiletic writing, lyric poetry, and examples of medieval drama. Prerequisite: ENG 1001A. Offered: 2008 - 2010.
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3.00 Credits
3 credits Within the context of his epoch, Shakespeare's development is traced in a study of five comedies and five histories. Prerequisite: ENG 1001A. Offered: 2008 - 2010.
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3.00 Credits
3 credits Within the context of his epoch, Shakespeare's development is traced in a chronological study of a number of tragedies. Prerequisite: ENG 1001A. Offered: 2008 - 2010.
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3.00 Credits
3 credits An in-depth study of key writers from the English Renaissance (approximately 1500-1660). Particular attention will be paid to authors of Elizabethan sonnet sequences, Chapman's Homer, the Cavalier Poets, and the Metaphysical Poets. Prerequisite: ENG 1001A. Offered: 2008 - 2010.
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3.00 Credits
3 credits An in-depth study of key writers from the Eighteenth Century. Particular attention will be paid to Dryden, Swift, Addison and Steele, Pope, Johnson, and Goldsmith. Prerequisite: ENG 1001A. Offered: 2008 - 2010.
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3.00 Credits
3 credits Selections from Burns, Blake, Wordsworth, and Coleridge, as well as lesser poets. The prose of Wordsworth, Coleridge, and Lamb is considered, along with some excerpts from Paine, Godwin, Wollstonecraft, Dorothy Wordsworth, and the anti-Romantic critics. Prerequisite: ENG 1001A. Offered: 2008 - 2010.
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3.00 Credits
3 credits Selections from Byron, Shelley, and Keats, as well as lesser poets. In addition to the prose of all three major poets, works of Hazlitt and Dequincey are studied, along with excerpts from the anti-Romantic critics. Prerequisite: ENG 1001A. Offered: 2008 - 2010.
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3.00 Credits
3 credits An historical and critical study of the British novel from its earliest antecedents to about 1885. Critical principles are stressed in relation to the work of such writers as Fielding, Richardson, Sterne, Austen, Scott, Dickens, Thackeray, and Eliot. Movements, tendencies, and influences are treated both critically and historically. Prerequisite: ENG 1001A. Offered: 2008 - 2010.
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