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Course Criteria
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0.50 Credits
For the dancer with some experience; a continued exploration and deepening of the dancer's understanding of the principles of ballet movement and a strengthening of technical skills. 0.50 units, Studio
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0.00 Credits
Taking the voice as a fundamental element of performance, this course will introduce various techniques and methods designed to release the full vocal potential of the individual student. Through the use of visual imagery as well as text, students will explore the human impulses for sound and will work to achieve an increased sense of physical presence in performance. (This course has been replaced by Theater and Dance 235.) Prerequisite: C- or better in Theater and Dance 107 or 108. 1.00 units, Laboratory
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0.50 Credits
For the dancer with some experience; a continued exploration and deepening of the dancer's understanding of the principles of jazz dance movement and a strengthening of technical skills. 0.50 units, Studio
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0.50 Credits
For the dancer with some experience; a continued exploration and deepening of the dancer's understanding of the principles of modern dance movement and a strengthening of technical skills. 0.50 units, Studio
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1.00 Credits
This course teaches students how to use the voice in performance by expanding their expressive range through structured exercises that develop resonance and articulation and that free specific tension points. The approach to vocal work developed by Kristin Linklater will be the foundation for this investigation. 1.00 units, Studio
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1.00 Credits
A study of the origins and development of dance in various world cultures. Students will explore how the Western modern dance aesthetic has evolved concurrently with the development of non-Western dance forms and will address questions of crossover of form and content, the transmission of cultural values, and the implications for contemporary choreography. 1.00 units, Lecture
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1.00 Credits
No Course Description Available. 1.00 units, Lecture
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1.00 Credits
An exploration of seminal European plays and productions from 1900 to the present. Among the playwrights to be examined are Pirandello, Brecht, Beckett, Ionesco, Genet, Weiss, and Strauss. Famous productions by directors such as Stanislavski, Meyerhold, Reinhardt, Stein, and Brook will also be studied. 1.00 units, Seminar
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1.00 Credits
A detailed study of the major philosophies, techniques, and performances of theater in North and South America including Nelson Rodrigues (Brazil), Teatro Experimental (Chile), Arthur Miller, Guillermo Gomez-Pina, and the Wooster Group (United States). Also listed under American studies, Latin American studies, and English. 1.00 units, Lecture
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1.00 Credits
This course will examine the formal conventions of selected Asian dance/drama forms, trace their historical origins, and analyze their present function in Asian societies. Guest speakers, films, and viewing of performances will help students to understand these forms and to develop a comparative perspective of dance/drama East and West. 1.00 units, Seminar
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