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HISP 290: Studying in the Hispanic World Colloquium
50.00 Credits
Trinity College
This course is designed to provide students returning from study abroad in Barcelona, Santiago, Cordoba, and other Spanish-speaking venues (summer, semester, or year-long programs) with a forum within which they can share, compare, and process analytically and historically the difficulties, conflicts, absences, and discoveries that they experienced in their time abroad. They will then be asked to investigate how these experiences have affected their view of the social and cultural norms of U.S. culture. (Prerequisite: Study abroad in an approved program in a Spanish-speaking country.) 0.50 units, Seminar
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HISP 290 - Studying in the Hispanic World Colloquium
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HISP 292: Intro to Spanish Lit II
0.00 Credits
Trinity College
Although designed to follow Spanish 291: Introduction to Spanish Literature I, either course may be taken independently. The major literary movements of the 19th and 20th centuries will be studied and discussed against the historical background of the times. Selected readings from some of the greatest authors will include most genres. Either 291 or 292 must be taken to satisfy the requirements of the Spanish major. Conducted in Spanish. Prerequisite: Spanish 226, 228, or 291, or equivalent. 1.00 units, Lecture
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HISP 292 - Intro to Spanish Lit II
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HISP 301: An Introduction to Cervantes' Literary Industry
0.00 Credits
Trinity College
An analysis and interpretation of the complete text of Don Quijote de la Mancha, with attention given to Cervantes' use of irony (burla) as the keystone of his artifice. Keeping in mind the historical and cultural background of the text, we will examine how Cervantes' writings (El Quijote, Entremeses, Novelas Ejemplare) hinge on a parodic game that entails a process of encoding and decoding, one which has a demystifying power upon reality. Prerequisite: A grade of C- or better in HISP270 and one of the following: HISP261 or HISP262 or HISP263 or HISP264; or Permission of the Instructor. 1.00 units, Lecture
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HISP 301 - An Introduction to Cervantes' Literary Industry
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HISP 303: 20th Century Spanish Lit
0.00 Credits
Trinity College
A study of 20th century literature, including the novel, drama, poetry, and the essay. Included are such important literary movements as the Generation of '98 (Unamuno, AzorÃn, Baroja, Machado), and the Generation of 1927 (GarcÃa Lorca, Alberti, Aleixandre, Cernuda). Consideration is given to literature of the Civil War, the Franco period, and the contemporary post-Fascist democracy. All texts are read for their literary, cultural and historical values. Conducted in Spanish. Prerequisite: Spanish 291 or a 300-level course or its equivalent, or permission of the instructor. Prerequisite: A grade of C- or better in HISP270 and one of the following: HISP261 or HISP262 or HISP263 or HISP264; or Permission of the Instructor. 1.00 units, Lecture
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HISP 303 - 20th Century Spanish Lit
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HISP 311: The Spanish Golden Age:An Overview
0.00 Credits
Trinity College
This course provides an overview of some of the most relevant canonical works of the Golden Age while establishing some basic guidelines for the understanding of this rich period of Spanish culture; The American Empire made Spain one of the most powerful countries in the history of humanity. We will focus on central aspects of the Imperial Age poetics, such as the relationship between literature and reality, as well as the key trends in politics and religion (the connections between Golden Age culture and the Reconquest and the Counter-Reformation), while simultaneously calling attention to some of the critical stances of well-known writers such as Cervantes. Prerequisite: A grade of C- or better in HISP270 and one of the following: HISP261 or HISP262 or HISP263 or HISP264; or Permission of the Instructor. 1.00 units, Lecture
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HISP 311 - The Spanish Golden Age:An Overview
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HISP 312: Foundational Tropes/Contested Tropes:"The Gaucho"
0.00 Credits
Trinity College
Several debates, themes, images or tropes seem to constitute a symbolic and discursive core of Latin American cultural history: "The Savage," "The Gaucho," "The Mestizo," "The Captive," "The Matriach," "The Landowner," "The Enightened Tyrant," "The Developer," and "The Immigrant." These concepts are, in turn, connected to notions of Europeanness, whiteness, civilization, capitalist development, and progress. Through the examination of a series of literary texts and documents from different historical periods and literary and ideological movements, this course explores the origin and historical evolution of these recurring and enduring themes and metaphors. Prerequisite: A grade of C- or better in HISP270 and one of the following: HISP261 or HISP262 or HISP263 or HISP264; or Permission of the Instructor. 1.00 units, Lecture
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HISP 312 - Foundational Tropes/Contested Tropes:"The Gaucho"
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HISP 313: The Vision of America and its Inhabitants Through the Renaissance and the Golden Age
0.00 Credits
Trinity College
The course concentrates on the contradictory worldviews of Amerindians' voices/writings and the specific projections generated by explorers, travelers, historians, soldiers, friars, and conquistadors as they sought to explain the "otherness" of this new land. It also will focus on the shift of the official representation of America and the Amerindian provoked by the complexities brought on by the emergence of the modern state. We will also study, through the work of the leading playwrights of the Golden Age, the significance of these profound changes, their implications for the Spanish policies toward the Amerindians, and Spain's response to this non-European worl Prerequisite: A grade of C- or better in HISP270 and one of the following: HISP261 or HISP262 or HISP263 or HISP264; or Permission of the Instructor. 1.00 units, Lecture
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HISP 313 - The Vision of America and its Inhabitants Through the Renaissance and the Golden Age
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HISP 314: Indigenous Peoples in Spanish American Literature and Culture
0.00 Credits
Trinity College
This course looks at the (primarily literary) representation of the indigenous peoples of Spanish America, from the first writings of Christopher Columbus to current indigenista and neo-indigenista prose and indigenous testimonies. Besides essays, poetry, theater, and narrative, the class examines art, film, photography, and popular culture, in order to examine how national cultural production portrays, appropriates, marginalizes, or celebrates the indigenous peoples and cultures. While we will look at the portrayal of the indigenous peoples in a variety of contexts (including the US), we will concentrate on those areas with the highest concentration of indigenous peoples: Mexico, Central America, and the Andes. (Also listed under Latin American and Caribbean Studies.) Prerequisite: A grade of C- or better in HISP270 and one of the following: HISP261 or HISP262 or HISP263 or HISP264; or Permission of the Instructor. 1.00 units, Lecture
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HISP 314 - Indigenous Peoples in Spanish American Literature and Culture
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HISP 316: Unstable Worlds:Jorge Luis Borges
1.00 Credits
Trinity College
No Course Description Available. 1.00 units, Seminar
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HISP 316 - Unstable Worlds:Jorge Luis Borges
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HISP 317: Construction of Spanish Early Modern National Identity
0.00 Credits
Trinity College
Using the most recent interdisciplinary discussions concerning the construction of national identity as our guide (racial, religious, political, sexual, etc.), this course will examine those texts which catalyzed the emergence, evolution, propagation and preservation of the ideals of 'Spanish nation.' The course will also explore the main issues associated with the political and cultural history of Early Modern Spain, within both the Peninsula and the American New World. Prerequisite: A grade of C- or better in HISP270 and one of the following: HISP261 or HISP262 or HISP263 or HISP264; or Permission of the Instructor. 1.00 units, Lecture
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HISP 317 - Construction of Spanish Early Modern National Identity
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