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Course Criteria
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3.00 Credits
3 cr. Prerequisites: MUS *H213 with a grade of "C" or better, or permission ofinstructor. Music Theory IV provides training and supervised practice of analyzing, performing, and composing music. Music Theory IV is a continuation of Music Theory III and should be taken concurrently with Ear Training IV. Enharmonic modulation is introduced along with extended and chromatic harmony. Larger formal patterns are discussed (sonata form, rondo, and variation). 20th-century harmony is introduced, including non-functional harmony, dodecaphony, and set theory. Keyboard proficiency is included.
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1.00 Credits
1 cr. The goal of Ear Training I is to acquire the skills necessary to make intelligent and competent musicians. This course will focus on three major areas; sight singing, rhythmic reading, and dictation. This course is considered to be an aural lab component of Theory I and is an important course for those wishing to improve their pitch accuracy for the Chorus audition or Voice Lessons.
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1.00 Credits
1 cr. Prerequisite: MUS*H215 or permission of instructor. The goal of Ear Training II is to continue the work done in Ear Training I providing students with advanced training in pitch and rhythm, perception and sightreading . It is considered to be an aural lab component of Theory II courses and is an important course for those wishing to improve their pitch accuracy for Chorus or Voice lessons.
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3.00 Credits
(formerly MUS-H120) 3 cr. Prerequisite CSA*H105 and permission of instructor. This course is an introduction to the art and techniques of electronic music and audio production. The history, elements, and tools of electronic music and audio will be defined and explored. Topics will include; acoustics theory, analog and digital audio principles, recording engineering techniques, sound sampling, electronic synthesis, MIDI, and audio for multimedia and the World Wide Web.
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3.00 Credits
3 cr. Prerequisite: DAT*H218 or MUS*H218. An in-depth study of the techniques and methodologies used in studio and live recording. In addition to classroom assignments and exercises, students will be expected to complete a minimum of fifteen hours of practicum field work resulting in the recording, editing and mastering of a live or studio project. Topics will include two-track and multi-track recording, studio acoustics and design, analog and digital mixing consoles, microphone placement techniques, signal processors, and studio session procedures.
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3.00 Credits
3 cr. Corequisite: DAT*H218 or MUS*H218. This course presents an in-depth study of the techniques and methodologies used in studio and live recording. In addition to classroom assignments and exercises, students will be expected to complete field work resulting in the recording, editing, and mastering of a live or studio project. Topics will include two-track and multi-track recording, studio acoustics and design, analog and digital mixing consoles, microphone placement techniques, signal processors, and studio session procedures.
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2.00 Credits
2 cr. This is a modern, symphonic concert band featuring woodwind, brass, and percussion instruments. The band performs for college functions (such as commencement) and for the benefit of the college. The band may perform at other off-campus venues and for non-campus organizations. The instructor selects repertoire each semester based on the available instruments and skill level of players, as well as picking repertoire suitable for college activities. The repertoire represents the work of both serious "classical" composers aswell as contemporary popular composers. The course is open to all students with the consent of the instructor and may be repeated for credit.
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2.00 Credits
(formerly MUS-H3511) 2 cr. Performance of orchestral repertoire from all stylistic periods is studied. This ensemble will perform at the College and in the community. The course is open to all students with the consent of the instructor and may be repeated for credit.
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1.00 Credits
(formerly MUS-H3504) 1 cr. Students perform as small ensemble chamber orchestra. Performances occur at the College and in the community. The course is open to all students with the consent of the instructor, and may be repeated for credit.
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1.00 Credits
1 cr. Prerequisites: MUS*H216 with a grade of "C" or better, or permission ofinstructor. Ear Training III provides classroom training and supervised practice of connecting musical sounds to musical notation and harmonic systems. Ear Training III is a continuation of Ear Training II and should be taken concurrently with Music Theory III. Intervals, scales, and chords in all inversions are sung and identified. Melodies for singing and dictation gradually incorporate chromatic alterations and modulation. Keyboard harmony is reinforced.
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