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  • MUS 260: Listening to Jazz

    3.00 Credits
    Naropa University

    Open to all students, this class examines the multifaceted traditions of jazz, arguably the most significant musical development of the twentieth century. Through readings and by listening to recorded examples and to live music, students explore the cultural and artistic elements of this richly expressive musical form.
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  • MUS 265/535: Jazz Ensemble

    2.00 Credits
    Naropa University

    Jazz performance ranges from the complex compositions and arrangements of Duke Ellington to the colorfully expressive "free jazz" of Ornette Coleman. The Naropa Jazz Ensemble explores many aspects of jazz including improvisation and student composition, with emphasis on the arrangement and rehearsal of music for a performance at the end of the term. Students audition with the instructor on the first day of class.
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  • MUS 268: Indian Classical Ensemble

    3.00 Credits
    Naropa University

    An ensemble course offered to instrumentalists and vocalists interested in exposure to music from the Indian classical tradition. The focus is on multi-instrumental works that allow for a broad range of instruments (including singers), accommodating unique timbres and ranges. Students learn the different elements that make up a "raga" performance such as alap, jor, tans and tal while learning compositions and developing improvisational skills. Following Indian classical tradition, the music is transmitted orally from teacher to student. Because of the challenging nature of Indian classical music, students should be fluid on their instrument. Indian instruments are also welcome.
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  • MUS 270: Guitar Ensemble

    2.00 Credits
    Naropa University

    The scope of the Guitar Ensemble ranges from the complex compositions and arrangements of such groups as the League of Crafty Guitarists and the LA Guitar Quartet to expresive and free improv ensembles inspired by legends such as Derek Bailey and Fred Frith, with explorations of the landscapes between these extremes: The Assad Brothers and The Guitar Trio (McLaughlin/Dimeola/deLucia).The Naropa Guitar Ensemble explores many aspects of guitar performance including improvisation and student composition, with emphasis on the arrangement and rehearsal of music for a performance at the end of the semester. Each student auditions on the first day of class to clarify each participant's intention.
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  • MUS 280/580: Recording Studio I:Introduction to Music Technology

    3.00 Credits
    Naropa University

    In this class we develop an understanding of the basic principles of acoustics and electronics as they pertain to sound transmission and recording. Of particular concern is the hands-on use of microphones, signal and dynamic processors and multitrack recording equipment both as creative and archival tools. We also gain practical experience through group and individual recording projects that explore the technical differences between analog and digital recording and their respective techniques. Prior recording or music experience, though helpful, is not required.
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  • MUS 330: Junior Passage

    3.00 Credits
    Naropa University

    The Junior Passage is completed in the first semester of the junior year. It is an informal meeting between a student, a chosen faculty from the Music Department and no more than two student peers who sit in support.
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  • MUS 355: Radio Naropa

    3.00 Credits
    Naropa University

    Radio Naropa creates a bridge between the Naropa community and KGNU public radio. Students individually DJ a live broadcast and collaboratively produce three shows at KGNU studios in Boulder. The class also covers the social, political and artistic history of radio with a focus on the development of individual and collaborative creative processes and civic engagement. Open to juniors and seniors only.
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  • MUS 360: Musicianship III

    3.00 Credits
    Naropa University

    Intensive musical training sessions involving sight-singing, musical dictation, rhythmic exercises (using rhythms from India, Africa, Brazil and Cuba, jazz, rock and contemporary classical music) and the study of harmony as used in classical, jazz and pop music. Prerequisite: MUS 210 or equivalent.
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  • MUS 370: Musicianship IV

    3.00 Credits
    Naropa University

    A continuation of MUS 360. Prerequisite: MUS 360 or its equivalent.
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  • MUS 380: Recording Studio II:Technology and Creativity

    3.00 Credits
    Naropa University

    Students explore and experiment with the tools of the recording studio and their role in the creative process. Advanced recording and studio techniques are applied. Particular emphasis is given to the use of signal processing (equalization and effects) and digital editing and the creative opportunities provided by these technologies. Group and individual projects are the means through which we foster creativity and its evolution. Prerequisite: MUS 280.
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