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Course Criteria
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1.25 Credits
Process-oriented investigation of practical theater production by working in and on productions in the Barnstorm season. Requires a total of 150 hours working backstage or onstage. Admission by audition at first class meeting; see department office for more information. May be repeated for credit. D. Cuthbert
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2.00 Credits
Process-oriented investigation of practical theater production by working in and on productions in the Barnstorm season. Requires a total of 50 hours working backstage or onstage. Admission by audition at first class meeting; see department office for more information. May be repeated for credit. D. Cuthbert
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1.25 Credits
Introduces issues and methods for analyzing historical and contemporary performance practices from a variety of disciplinary perspectives. Readings contextualize theatrical objects as well as offer theoretical tools for analyzing, interpreting, and making performances out of them. (General Education Code(s): IH, A.) P. Mostkoff, K. Edmunds
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2.00 Credits
Creative artists, technicians, and designers discuss the theory and practice of their art. Presentations include discussion of the nature of their artistic work and reflection on the path that brought them to their present work with attention to the creativity and constraint that they experience in their profession. P. Whitworth
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1.25 Credits
Surveys African American theater from late 19th century to contemporary 21st-century playwrights and examines dramatic narratives to trace creation, evolution, and development of African American cultural identity formation in American theater. Enrollment limited to 50. (General Education Code(s): T4-Humanities and Arts, A, E.) The Staff
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1.25 Credits
Examination of the genesis, history, and development of technical theater practices used in large arena rock shows. Topics will include the development of rigging practices used in arenas, touring logistics, lighting instrumentation and aesthetics of rock shows, and the nature, practice, and approach of sound in these venues. (General Education Code(s): T4-Humanities and Arts, A.) The Staff
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1.25 Credits
History of 20th-century commerical design for the theater through the eyes of the Western consumer. (Formerly course 161W, Critical Survey of Commerical Design, 1900 to Present.) (General Education Code(s): T4-Humanities and Arts, A.) B. Baron
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1.25 Credits
American comedy from Mark Twain to present, including popular humor, history, and politics, using comedy from the '20s through the women's gay and civil rights movements. Discussions are based on readings and videos of a wide variety of artists. Students present performances weekly. (General Education Code(s): T4-Humanities and Arts, A.) The Staff
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1.25 Credits
Introductory dance, with participation in a wide range of movement classes taught by the instructor and guest artists. Students develop their movement experiences through further viewing of world dance, discussion, reading, and writing. Enrollment limited to 100. (General Education Code(s): T4-Humanities and Arts, A.) The Staff
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1.25 Credits
Offered online, the course explores major issues of interpretation of Shakespeare's classic play, which has occupied the minds of audiences, directors, designers, performers, and critics during its 400-year history. In doing this, it offers a sense of history of people's preoccupations with and thoughts about the play. Students taking this class are expected to complete the course during the quarter for which they are enrolled. All students enrolled in this course should visit elsinore.ucsc.edu and write to elsinore@ucsc.edu. (General Education Code(s): T4-Humanities and Arts, A.) J. Bierman
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