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Course Criteria
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1.25 Credits
Poets from "modernismo" to the present in Spanish America. Studies how this poetry attempts to define Latin America, its past, its present history, and its vision for the future. Satisfies the Modern, Spanish, and World Literature concentrations; also satisfies the Global and Poetry distribution requirements. (General Education Code(s): E.) N. Klahn
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1.25 Credits
A study of the literary expression of a particular Latin American country or region, with texts representing a variety of authors, periods, and genres.
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1.25 Credits
Satisfies the Modern, Spanish, and World Literature concentrations; also satisfies the Global distribution requirement. (General Education Code(s): E.) L. Martínez-Echazábal
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1.25 Credits
Marginalized perspectives take center stage in this course that studies ways Latin American/Latino authors textually contest dominant representations and realities, opening symbolic spaces for emergent historical subjects who gain agency and authority by re/presenting unmapped terrains. Texts include chronicles, "testimonios," writings of the self, and novels. Satisfies the Modern, Spanish, and World Literature concentrations; also satisfies the Global distribution requirement. (General Education Code(s): E. ) N. Klahn
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1.25 Credits
Explores historical readers and reading practices in at least three different formations: colonial, national-popular, and transnational. Proposes a historical-theoretical reconstruction of the place of reading and readers at key moments in the history of culture in Latin America. Satisfies the Modern, Spanish, and World Literature concentrations; also satisfies the Global distribution requirement. (General Education Code(s): E.) J. Poblete
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1.25 Credits
Explores different aesthetic options of famous Latin American masters of the short story. Includes authors such as Quiroga, Borges, Cortázar, Gorodischer, Mon-terroso. Among the different types of writing to be explored are fantastic, detective, metaliterary, social critique, historical, and philosophical. Satisfies the Modern, Spanish, and World Literature concentrations; also satisfies the Global distribution requirement. (General Education Code(s): E.) J. Poblete
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1.25 Credits
Traces commercial and alternative filmmaking in Mexico from its origins to the present through the works of major directors (e.g. Luis Bu el, Emilio Fernández), with particular emphasis on the historical and actual function of film in Mexican culture. Course satisfies the Modern, Spanish/Latin American/Latino, and World Literature concentrations, and the Global distribution requirement. (Formerly course 134J.) (General Education Code(s): E.) J. Burton-Carvajal
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1.25 Credits
Examines globalization of Latin/o American cinema as a cultural industry. Classical issues of cultural politics and political economy are revisited from the viewpoint of current global processes. Also provides access to the representation of different aspects of globalization in Latin/o American cinema. Course satisfies the Modern, Spanish/Latin American/Latino, and World Literature concentrations; also satisfies the Global distribution requirement. (General Education Code(s): E.) J. Poblete
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1.25 Credits
Introduction to analysis and interpretation of major Spanish-language films derived from literary works by Latin American and Spanish authors. Explores mechanisms of representation and adaptation. J. Burton-Carvajal
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1.25 Credits
An introduction to representative works of the main genres of the period by authors such as Garcilaso de la Vega, Luis de León, San Juan de la Cruz, Santa Teresa de Jesús, Lope de Vega, Francisco de Quevedo, and Calderón de la Barca, and to life in Spain during the 16th and 17th centuries. Satisfies the Pre- and Early Modern Studies and Spanish Literature concentrations; also satisfies the Pre-and early Modern distribution requiremen t. The Staf
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