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Course Criteria
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1.25 Credits
A program of directed study arranged with a department faculty member. Students submit petition to sponsoring agency. May be repeated for credit. The Staff
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2.00 Credits
A program of directed study arranged with a department faculty member. Class time is proportionally less than a five-credit course. Students submit petition to sponsoring agency. May be repeated for credit. The Staff
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2.00 Credits
Study of vocal and choral techniques in the context of ensemble rehearsals, often culminating in public performance. Repertoire to include varied works for treble choir, both a cappella and with instrumental accompaniment. Familiarity with basic music notation recommended. Some additional rehearsal time, both individually and with the group is required. Students are billed a materials fee. Admission by audition with conductor prior to first class meeting. See enrollment conditions section of the quarterly Schedule of Classes. May be repeated for credit. (General Education Code(s): A.) N. Paiement
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2.00 Credits
A study of selected works for mixed chorus, with emphasis on masterworks for chorus and orchestra, culminating in one or more public concerts. Familiarity with basic music notation recommended. Admission by audition with conductor prior to first class meeting. See enrollment conditions section of the quarterly Schedule of Classes. Students are billed a materials fee. May be repeated for credit. (General Education Code(s): A.) N. Berman
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2.00 Credits
A study of selected works for orchestra, culminating in one or more public concerts. Admission by audition with conductor prior to first class meeting. See enrollment conditions section of the quarterly Schedule of Classes. Students are billed a materials fee. May be repeated for credit. (General Education Code(s): A.) N. Paiement
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2.00 Credits
Instruction in performance in large jazz ensembles with written arrangements. Prepares a specific repertory for public performance. Admission by audition with instructor prior to first class meeting. See the enrollment conditions section of the quarterly Schedule of Classes. Students are billed a materials fee. Enrollment limited to 25. May be repeated for credit. (General Education Code(s): A.) R. Klevan
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1.25 Credits
Integrated musicianship, theory, and analysis. Species counterpoint and fundamentals of tonal harmony. Analysis of literature from the Middle Ages and Renaissance. Ear-training, taught in smaller sections, emphasizes recognition of triad and dominant-seventh inversions, dictation of diatonic melodies, and aural analysis of simple diatonic interval and chord progressions. Most of the ear-training materials consist of homophonic and polyphonic examples from music literature performed live in class. Concurrent enrollment in course 30L required. Prerequisite: admission by core curriculum placement examination or by passing course 14 with a final examination score of approximately 85 percent or higher. Enrollment limited to 60. P. Nauert, A. Leikin
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1.25 Credits
Intergrated musicianship, theory, and analysis. Diatonic harmony and fundamentals of chromatic harmony and musical form, with an emphasis on early 18th-century styles. Ear-training, taught in smaller sections, emphasizes recognition of triad and seventh-chord qualities and inversions, dictation of moderately complex melodies and multi-voice chorales, and aural analysis of chord progressions including secondary functions. Most of the ear-training materials consist of homophonic and polyphonic examples from music literature performed live in class. Concurrent enrollment in course 30M required. Prerequisite(s): course 30A; instructor determination at first class meeting. Enrollment limited to 60. P. Nauert, A. Leikin
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1.25 Credits
Integrated musicianship, theory, and analysis. Chromatic harmony and large forms, with emphasis on late 18th-and early 19th-century styles. Ear-training, taught in smaller sections, emphasizes melodic and multi-voice dictation, as well as aural analysis of chord progressions, with materials including digressions, modulations, and advanced chromatic idioms. Most of the ear-training materials consist of homophonic and polyphonic examples from music literature performed live in class. Concurrent enrollment in course 30N required. Prerequisite(s): course 30B; instructor determination at first class meeting. Enrollment limited to 60. P. Nauert, A. Leikin
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2.00 Credits
Keyboard (score-reading, figured-bass, progressions, chorales) and musicianship (sight-singing, intervals, chords, rhythm) laboratory sequence illustrating topics covered in course 30A. Tw o 1-hour laboratory sessions per week. Concurrent enrollment in course 30A required; concur- rent enrollment in course 60 also required for students without adequate prior keyboard training. Enrollment limited to 6. The Staff
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