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Course Criteria
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1.25 Credits
Individual projects to complete printing and binding of small books. Taught in conjunction with course 70. Does not fulfill a requirement for the art major. Students are billed a materials fee. Enrollment limited to 12. May be repeated for credit. The Staff
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1.25 Credits
Introduces students to various methods used in making intaglio prints. Encourages individual artistic growth of imagery and technique through assignments designed to explore the medium. Includes discussion and critique of work with equal emphasis on technique and concept. Students are billed a materials fee. Prerequisite(s): course 25, 26, or 27. Enrollment restricted to art majors. Enrollment limited to 20. May be repeated for credit. (General Education Code(s): A.) The Staff, J. Lee
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25.00 Credits
This presentation of advanced intaglio techniques emphasizes a variety of multi-plate color printing and photo etching processes. The course concentrates on individual development in style and concept through the intaglio process. Students are billed a materials fee. Prerequisite(s): course 25, 26, 27, or 112. Enrollment restricted to art majors. Enrollment limited to 20. May be repeated for credit. (General Education Code(s): A.) J. Lee
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20.00 Credits
Introduction to drawing, processing, and printing of lithographs from stone. Emphasis on discovery of tonal, textural, and expressive potential from the surface of the stone, while establishing individual directions in imagery. Condensed history of the medium, technical theory, and critique in lecture and demonstrations. Students are billed a materials fee. Prerequisite(s): course 20, 25, 26, or 27. Enrollment restricted to art majors. Enrollment limited to 20. May be repeated for credit. (General Education Code(s): A.) P. Rangell
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1.25 Credits
Continuation of course 114. Introduction of tusche wash, aluminum plates, transfers, photo-lithography (computer interface), and multiple color techniques. Emphasis on experimentation, refinement of craft and approach, defining individual imagery, and expanding scale. Further investigation of the history of the medium and contemporary practice. Students are billed a materials fee. Prerequisite(s): course 114. Enrollment restricted to art majors. Enrollment limited to 20. May be repeated for credit. P. Rangell
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1.25 Credits
An intensive studio experience for majors, meeting three full days per week. Provides an opportunity for in-depth practice in all print media in preparation for the senior exhibition. In addition to individual projects, students work collaboratively and in series. Prints incorporating multiple colors and concurrent media, and utilizing a larger scale are encouraged. Readings and research are required. Satisfies senior exit requirement. Students are billed a materials fee. Portfolio review prior to advance enrollment required; students should complete courses 113 and 114, or 112 and 115, as preparation. Courses A and B must be taken concurrently. (Formerly Senior Studio in Printmaking.) Enrollment limited to 18. May be repeated for credit. J. Lee, P. Rangell
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1.25 Credits
An intensive studio experience for majors, meeting three full days per week. Provides an opportunity for in-depth practice in all print media in preparation for the senior exhibition. In addition to individual projects, students work collaboratively and in series. Prints incorporating multiple colors and concurrent media, and utilizing a larger scale are encouraged. Readings and research are required. Satisfies senior exit requirement. Portfolio review prior to advance enrollment required; students should complete courses 113 and 114, or 112 and 115, as preparation. Courses A and B must be taken concurrently. Enrollment limited to 18. May be repeated for credit. J. Lee, P. Rangell
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1.25 Credits
Special studies in printmaking, as announced. Students are billed for a materials fee. Prerequisite(s): course 25, 26, or 27. Enrollment restricted to art majors. Enrollment limited to 20. May be repeated for credit. The Staff, J. Lee, P. Rangell
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1.25 Credits
Through a chronological overview, this course touches on topics regarding the history of printmaking from the late medieval period to the present. Covers commerce of art, censorship, propaganda, politics, issues of gender, and the distribution of art and ideas over the centuries. Enrollment restricted to junior and senior art majors. Enrollment limited to 20. J. Lee
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1.25 Credits
Examines computer interactivity and interface in art making through theory and practice. Students develop interactive installation and sculptural works of art. Assignments may include the acquisition and creation of digital images, two-dimensional animation, programming with MAX/MSP/Jitter, basic electronics and sensors, and digital video and audio. Discussions, readings, and critiques address content, aesthetics, concepts, and expression as well as a practical grasp of relevant software. Students are encouraged to develop research projects and explore experimental practices. Students are billed a materials fee. Prerequisite(s): course 21 or 22 or 109 or prior basic programming experience and permission of instructor. Enrollment limited to 20. May be repeated for credit. (General Education Code(s): A.) The Staff, E. Anderson
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