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Course Criteria
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1.25 Credits
Covers topics reflecting distinctive features of selected world music cultures. Introduces content, scope, and method of ethnomusicology. Focuses on understanding the musical styles, performance practices, and cultural functions of these musical traditions. Incorporates live class performance of selected music. (General Education Code(s): IH, A, E.) J. Schechter
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1.25 Credits
Instruction in individual composition offered in the context of a group; composition in traditional large and small forms. Prerequisite(s): course 30C. Enrollment limited to 20. P. Nauert, D. Jones, H. Kim
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1.25 Credits
Introduction to electronic music studio techniques, relevant electroacoustical studies, and procedures of electronic music composition. Practical experience in the UCSC electronic music studio with an analog synthesizer; mixing, equalization, multitrack recording equipment, and other sound processing. Application form available at department office during last two weeks of the previous quarter. Preference given to music majors, students in the film/video major, and those with substantial musical experience. Prerequisite(s): instructor determination via application; course 80C; course 14 or course 30A placement. Enrollment limited to 25. P. Elsea
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1.25 Credits
Composition with the use of small computers in the electronic music studio. Techniques covered include hybrid synthesis, digital synthesis, and MIDI-controlled systems. No programming is involved, but basic computer literacy is helpful. Prerequisite(s): course 123. Enrollment limited to 25. P. Elsea
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1.25 Credits
Continuing study in the electronic music studio, with concentration on compositional development. Includes advanced applications of skills developed in courses 123 and 124, expansion of background knowledge and relevant electroacoustical studies. Prerequisite(s): course 124. Enrollment limited to 25. P. Elsea
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1.25 Credits
Fundamentals of music and notation. Major, minor scales, intervals, triads, and inversions, root-position 7th chords, and the beginning harmonic analysis. Emphasis on the development of the ear and coordination. Exercises of pulse, rhythm, pitch, and coordination. Dictation and sight singing. Enrollment restricted to first-year students and sophomores; juniors and seniors admitted by permission of instructor. Enrollment limited to 60. J. Sackett, H. Kim
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1.25 Credits
A study of the nature of each instrument of the orchestra. Scoring for various small instrumental combinations, culminating in a transcription for full orchestra. Prerequisite(s): course 30C. Enrollment limited to 20. H. Kim
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13.00 Credits
Continuation of course 13. Triads and 7th chords and their inversions. Introduces Church modes, melodic and harmonic analysis, four-part harmony, and keyboard harmony. Sight-singing, ear training, and dictation. Knowledge of musical notation and scales required. Students who wish to take this course and have not taken course 13 or the placement exam should consult the instructor. See the enrollment conditions section of the quarterly Schedule of Classes. Enrollment priority to first-year students, sophomores, and juniors. Prerequisite(s): course 13 or music core curriculum placement exam. Enrollment limited to 25. J. Sackett, L. Burman-Hall, H. Kim
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2.00 Credits
A workshop for singers, accompanists, and directors, the course develops a wide variety of skills related to opera through scenework. Attention will be given to movement, acting, coaching, and operatic stage-directing technique. Instruction culminates in studio productions of scenes from operas and musicals. Admission by permission of vocal instructor, or by audition with instructor prior to first class meeting. Students are billed a materials fee. Enrollment limited to 30. May be repeated for credit. (General Education Code(s): A.) B. Staufenbiel
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3.00 Credits
A workshop for singers, accompanists, and directors, the course develops a wide variety of skills related to opera through scenework. Attention will be given to movement, acting, coaching, and operatic stage-directing technique. Instruction culminates in studio productions of scenes from operas and musicals. Admission by permission of vocal instructor, or by audition with instructor prior to first class meeting. Students are billed a materials fee. Enrollment limited to 30. May be repeated for credit. (General Education Code(s): A.) B. Staufenbiel
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