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Course Criteria
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4.00 Credits
An investigation of media representations of gender, race, and sexuality in the United States. Topics include media images of and by one or more minority groups in the United States, including African Americans, Asian Americans, Chicano/Latinos, Native Americans, and gays and lesbians. Prerequisite: Film and Media Studies 85A or consent of instructor. May be repeated for credit as topics vary. ( VII)
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4.00 Credits
Practical exercises in film, TV, and other media criticism as a form of cultural analysis. Requires at least 4,000 words of assigned composition. Prerequisites: Film and Media Studies 85A and 101A; satisfactory completion of the lower-division writing requirement; junior standing.
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4.00 Credits
Part one of an in-depth sequence in the critical history of television. Focuses thematically on different concerns of the period (the Anthology Drama, Live Television, TV and the Hollywood Studios, and others). Prerequisites: Film and Media Studies 85A-B-C or consent of instructor.
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4.00 Credits
Part two of an in-depth sequence in the critical history of television. Expands on knowledge of broadcast history from 85B and 141. Focuses thematically on different concerns of the period ("Quality Television and the Producer's Medium," Tand Censorship, The Emergence of Cable and Narrowcasting). Prerequisites: Film and Media Studies 85A-B-C or consent of instructor.
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4.00 Credits
Introduction to critical, theoretical, scholarly understandings and analyses of television, which offer indepth analyses of television programming, audience reception practices, and industry strategies of address. Prerequisites: Film and Media Studies 85A-B or consent of instructor.
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4.00 Credits
Analyzes interpretations of the Internet and looks at empirical studies of various features of it. Asks students to explore the Internet and present their own conclusions about it. Prerequisites: Film and Media Studies 85A-B-C or consent of instructor.
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4.00 Credits
Period styles, national schools, oppositional movements, e.g., Classical Japanese Cinema, Italian Neorealism, Nouvelle Vague, Weimar Film, Cinema N vo. Same as Comparative Literature 160, East Asian Languages and Literatures 160, French 160, German 160, or Spanish 160 when topics are appropriate. May be repeated for credit when topics vary. ( VIII)
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4.00 Credits
Comparative analysis of global media systems focusing on case studies in the development, embrace of, and resistance to media forms and practices from the 1850s to the present. Prerequisites: Film and Media Studies 85A-B-C or consent of instructor. May be repeated for credit as topics vary. ( VIII)
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4.00 Credits
An advanced seminar focusing on special issues pertaining to broadcasting and/or new technologies. Topics include, but are not limited to: television criticism; space and new technologies; and broadcast advertising. Prerequisites: Film and Media Studies 85AB- C or consent of instructor.
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4.00 Credits
Special issues concerned with film and media history, theory, and criticism. Examples include Gone Primitive (Anglo-American romance with the "primitive" in literature,film, other media); television criticism (review and analysis of models and modes of criticism applied to television since the 1940s). Prerequisite: Film and Media Studies 85A or consent of instructor. May be repeated for credit as topics vary.
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