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ART 211: Drawing II:Process and Materials
4.00 Credits
Smith College
4 sem. hrs. Builds on skills gained in ART 111 or 183, with advanced work in figure, still life, landscape, and abstract drawing. Emphasizes graphic and conceptual inventiveness leading to the capacity for individually realized expression in various media. Kiely.
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ART 211 - Drawing II:Process and Materials
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ART 213: Painting I
4.00 Credits
Smith College
4 sem. hrs. Prereq.: Students are strongly encouraged to have taken ART 111. Teaches basic techniques of painting. Work includes still life, figure, and abstract painting. Emphasizes color as it relates to both individual expressive needs and pictorial structure. Lynch, Oppenheim, Kiely.
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ART 213 - Painting I
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ART 215: Screen Printing
4.00 Credits
Smith College
4 sem. hrs.Prereq.: Students are strongly encouraged to have taken ART 111, ART 112, or ART 117. Teaches various methods of screen printing, including paper and photo emulsion stencils, direct application of screen painting fluid, as well as screen preparation and reclamation. Students learn the operation of an exposure unit, various registration techniques, and good studio practice. Popinchalk.
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ART 215 - Screen Printing
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ART 216: Screen Printing and Propaganda
4.00 Credits
Smith College
4 sem hrs. Introduces students to the silk-screen process and to its historical roots in advertising, promotion, and propaganda. Students will learn a variety of techniques for screen printing as they study the way artists, communities, and political groups have used silkscreen to get their message across to a wide audience. Popinchalk.
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ART 216 - Screen Printing and Propaganda
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ART 220: Photo Screen Printing
4.00 Credits
Smith College
4 sem. hrs. Introduces a variety of photo screen printing techniques and encourages translation of photographic imagery into expressive and personal statements. Designed for students without prior experience in photography or screen-printing. Popinchalk.
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ART 220 - Photo Screen Printing
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ART 222: Alternative Visions in Painting:A Contemporary Approach
4.00 Credits
Smith College
4 sem. hrs. Prereq.: Students are strongly encouraged to have taken ART 111 and 112. Explores a variety of forms of representation, that have had currency from the 1950s to the present with an emphasis on non-representational painting. Oppenheim.
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ART 222 - Alternative Visions in Painting:A Contemporary Approach
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ART 230: Special Topics in Photography
4.00 Credits
Smith College
4 sem. hrs. Focuses on a particular theme or methodology in photography and offers in-depth exploration and development of a portfolio. Staff.
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ART 230 - Special Topics in Photography
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ART 231: Alternative Processes in Photography
4.00 Credits
Smith College
4 sem. hrs. Prereq.: COMM/ART 138 or consent of the instructor. Offers experimentation with nontraditional techniques and equipment to make photographic images using handmade and "toy" cameras (aswell as 35mm cameras), found pictures, and Xerography to make negatives. Print-making includes toning, hard-coloring, Polaroid transfers, cyanotypes, and Van Dyke processes. Class time is divided between lab work, discussion of historical and contemporary alternative photography, and critiques of student work. Sills.
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ART 231 - Alternative Processes in Photography
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ART 232: Photography in the Digital Lab II
3.00 Credits
Smith College
Prereq: ART 139. Offers advanced instruction in photography and Photoshop in the digital lab. Students will create color and/or black-and-white photographs based on exercises and student interest. Through slides and publications and visits to galleries and museums, students will study the work of art photographers. Manually adjustable traditional or digital cameras will be used. Bresler.
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ART 232 - Photography in the Digital Lab II
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ART 237: Advanced Photography Workshop
4.00 Credits
Smith College
4 sem. hrs. Prereq.: COMM/ART 138. Emphasizes the making of fine art photographs with attention to the aesthetics of creating photographic images in conjunction with learning advanced exposure and printing technique. Students will work on projects to explore and deepen their ideas. Black-and-white photography in the traditional darkroom. Sills, Bresler.
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ART 237 - Advanced Photography Workshop
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