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Course Criteria
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3.00 Credits
Three hours of discussion/recitation per week. Prerequisite: THET488 or THET489 and permission of department. Senior standing. Repeatable to 6 credits if content differs. Also offered as THET608. Credit will be granted for only one of the following: THET408 or THET608. Studies in theatre theory and performance studies from classical antiquity to the present.
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3.00 Credits
Prerequisite: THET488 or THET489; and permission of instructor. Senior standing. Also offered as THET610. Credit will be granted for only one of the following: THET410 or THET610. The American theatre from 1750 to 1950, including the position of theatre in culture, its typical features, and major artists.
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3.00 Credits
Four hours of laboratory per week. Prerequisite: THET112, THET113, THET114, THET115, THET116, THET288, an audition, and permission of department. Junior standing. Credit will be granted for only one of the following: THET311, THET411 or THET499L. Formerly THET311. Learn the International Phonetic Alphabet (IPA) and apply to exploration of sound and language. Designed to increase voice and speech awareness, and create a base knowledge from which to approach any accent or dialect.
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3.00 Credits
Two hours of lecture and two hours of laboratory per week. Prerequisite: THET310, and either THET324 or THET325, an audition and permission of department. Explores the actor's relationship to language, particularly heightened poetic language, in order to: develop the ability to embody language and vocally and physically project the images; apply an intellectual understanding of the inherent structural, poetic, and rhetorical techniques of heightened language in combination with action theory; and access the inner states of character while expressing them through text.
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3.00 Credits
Two hours of lecture and two hours of laboratory per week. Prerequisite: THET310, and either THET324 or THET325, an audition and permission of department. Junior standing. A deeper exploration of how to use the actor's instrument for dramatic expression. Continuing work in the F.M. Alexander Technique and foundational exercise to help actors learn what they need to prepare for rehearsal and performance. Other techniques may include theatrical styles, physical character, dramatic use and play with space and rhythm and masks.
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3.00 Credits
Two hours of lecture and two hours of laboratory per week. Prerequisite: THET310, and either THET324 or THET325, an audition, and permission of department. A deeper exploration of the work begun in THET325. A continuation of creating a personal process through which the actor can confidently approach any genre of play. Special focus on status and subtext and the world of the playwright.
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1.00 - 3.00 Credits
Prerequisite: THET112, THET113, THET114, THET115, THET116, and permission of department. Junior standing. Repeatable to 3 credits if content differs. This course is offered as part of the Department of Theatre's Artist in Residence program. Topics covered may include: Intercultural Theatre; Performance Art; Puppetry; Solo Performance; or Theatrical Design.
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1.00 - 3.00 Credits
Prerequisite: permission of department. Repeatable to 6 credits. Participation in dramatic roles executed under faculty supervision in the department's productions. Eligible students must make commitments and plan performances with course instructor during pre-registration.
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3.00 Credits
Prerequisite: THET330 or THET324 or THET325 or permission of instructor. Discussion of the preparation procedures and rehearsal practices necessary for the presentation of a variety of theatrical styles and forms. Emphasis on understanding the relationship between the director, the actor, the script and the audience. A series of student directed scenes supplemented by attendance at theatre productions.
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3.00 Credits
One hour of lecture and three hours of discussion/recitation per week. Prerequisite: THET341. Not open to students who have completed THET427 and THET627. Advanced workshop and seminar for students completing feature length screenplays started in Screenwriting I.
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