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Course Criteria
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3.00 Credits
Prerequisites: MUSC 101 - Fundamentals of Music and MUSC 121 - Keyboard Skills or permission of instructor. This course is an introduction to the fundamental techniques, equipment, and applications of contemporary music technologies. Computer and internet basics, music- related software, and other electronic instruments will be studied in their applications and potential as tools for education, composition, and performance. Introductory aspects of MIDI (Musical Instrument Digital Interface), acoustic and digital audio and acoustics, music notation, and multimedia applications will be examined. Students will be required to supply their own headphones - 1/4" jack.
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3.00 Credits
Prerequisites: MUSC 101 - Fundamentals of Music and/or MUSC 121 - Keyboard Skills I or permission of instructor. This course is an introduction to the use of computers and MIDI (Musical Instrument Digital Interface), using software sequencing and software synthesizers to compose, record, edit, and perform music. Aspects of MIDI, digital audio and acoustics will be studied, as well as the fundamentals of synthesizer programming. Students will be required to supply their own headphones - 1/4" jack.
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3.00 Credits
Prerequisites: MUSC 190 - Music Synthesis, Comp and MIDI I or equivalent. This course provides upper-level training in the use of computers, MIDI (Musical Instrument Digital Interface), and digital audio, using software sequencing, software synthesizers, and software samplers to compose, record, edit, and perform music. Further aspects of MIDI and digital audio will be discussed, as well as sampling and signal processing. Students will be required to supply their own headphones - 1/4" jack.
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3.00 Credits
Prerequisites: MUSC 112 - Music Theory II, and MUSC 114 - Musicianship II. Recommended corequisites: concurrent enrollment in MUSC 211 - Music Theory III and MUSC 213 - Musicianship III. This course is for music majors and others with adequate background. It is the first of a two-semester survey of Western art music from ancient times to 1750. The course traces styles and techniques of vocal and instrumental music, the major composers, and the musical forms of the Medieval, Renaissance, and Baroque periods. The course emphasizes analyzing and listening to representative compositions as well as gaining an historical and socio- cultural perspective. Note: Music History & Literature II may be taken before Music History and Literature I.
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3.00 Credits
Prerequisites: MUSC 112 - Music Theory II, and MUSC 114 - Musicianship II. Recommended corequisites: concurrent enrollment in MUSC 212 - Music Theory IV and MUSC 214 - Musicianship IV. This course is for music majors and others with adequate background. It is the second of a two-semester survey of Western art music, covering from 1750 to the present. The course traces styles and techniques of music composition, the major composers and musical forms from the mid- eighteenth century through the Classical, Romantic, and Contemporary periods. The course emphasizes listening to and the analysis of representative compositions, as well as gaining an historical and socio-cultural perspective. Note: Music History & Literature II may be taken before Music History & Literature I.
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3.00 Credits
Prerequisites: MUSC 111 - Music Theory I and MUSC 112 - Music Theory II, and MUSC 113 - Musicianship I and MUSC 114 - Musicianship II. Corequisite: MUSC 213 - Musicianship III. This course is for music majors and others with adequate background. Theory I, II, III, and IV and Musicianship I, II, III, and IV (co-requisites) must be taken in sequence. This course is a continuation of Theory II. Students will study Renaissance and 18th century polyphony (including the fugue), chromatic harmony (including borrowed chords, Neapolitan 6th, and augments 6th chords), Classical period techniques (including variation technique and sonata and rondo forms), and extended and chromatic harmony (including 9th, 11th, and 13th chords, altered dominants, and chormatic mediants). Course work will include extensive music writing in these subjects and attendance at live performances.
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3.00 Credits
Prerequisite: MUSC 211 - Music Theory III and MUSC 213 - Musicianship III. Corequisite: MUSC 214 - Musicianship IV. 184 RVCC 2008-2009 Catalog ? For updated information, visit www.raritanval.edu This course is for music majors and others with adequate background. Theory I, II, III, and IV and Musicianship I, II, III, and IV (co-requisites) must be taken in sequence. This course is a continuation of Theory III. Students will study theories and compositional techniques from the nineteenth and twentieth centuries, including techniques from the Romantic Period (1825-1900), the Post- Romantic and Impressionistic Periods, and the Contemporary Period (1910- 1945). Included will be twelve-tone technique and Music since 1945. Attendance at live performances is required.
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1.00 Credits
Prerequisites: MUSC 111 - Music Theory I and MUSC 112 - Music Theory II, and MUSC 113 - Musicianship I and MUSC 114 - Musicianship II. Corequisite: This course must be taken in conjunction with MUSC 211 - Music Theory III. Music Theory I, II, III and IV and Musicianship I, II, III, and IV must be taken in sequence and are designed for music majors and others with adequate background. Musicianship III will continue the development of skills in music reading, sight singing, ear training, and keyboard harmony.
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1.00 Credits
Prerequisites: MUSC 211 - Music Theory III and MUSC 213 - Musicianship III. Corequisite: MUSC 212 - Music Theory IV. Music Theory I, II, III, and IV and Musicianship I, II, III and IV must be taken in sequence and are designed for music majors and others with adequate background. Musicianship IV will continue the development of skills in music reading, sight singing, ear training, dictation, and keyboard harmony.
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2.00 Credits
Prerequisite: MUSC 122 - Keyboard Skills II or equivalent training. This course is a continuation of keyboard playing, music reading, and keyboard techniques. Level 3 piano exercises and repertory will be assigned.
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