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Course Criteria
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3.00 Credits
Reading and discussion of recent writings by women from a variety of cultural, linguistic, and regional areas of Africa.
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3.00 Credits
Analysis of the shifting role of the Holocaust in postwar German public life--in art, literature, museums and other memorials, film, television, and political discourse. Some attention will also be given to Austria and Switzerland; contrasts will be drawn to the place of the Holocaust in postwar and contemporary America. Credit not given for this course and 01:470:370 or 01:563:370.
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3.00 Credits
An investigation of the devil's image in literature across cultures and centuries. Departing from the biblical text, a study of the personalization of evil as reproduced in literary works.
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3.00 Credits
Survey of German-Jewish culture, 18th century to the present. Literature in political-historical context, with some attention to music, philosophy, and film. Credit not given for both this course and 01:470:380.
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3.00 Credits
Works of Nikos Kazantzakis (1885-1957) and the Eastern and Western ideas that influenced him: Homer, Henri Bergson, Nietzsche, Freud, and Buddhist philosophy. Pre- or corequisite: 01:489:241 or permission of instructor. Credit not given for both this course and 01:489:383.
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3.00 Credits
Poetry from the ancient Greeks to the 20th century, including Western and Asian poetry.
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3.00 Credits
Comparative survey of poetry in languages other than English from 1850 to the present. Poets include Baudelaire, Mallarm , Rimbaud, Rilke, Brecht, Neruda, Vallejo, Mandelstam, Akhmatova, Pessoa, Apollinaire, and Artaud.
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3.00 Credits
The formation of European modernity in literature and the arts from the 1880s-1930 under the impact of Japanese and other non-Western aesthetics.
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3.00 Credits
Detailed introduction to a particular aspect of the rich cultural diversity of the European Middle Ages. Topics vary. Credit not given for both this course and 01:350:388 or 01:667:388.
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3.00 Credits
Study of the major comic traditions, especially the Menandrian (Menander, Plautus, Terence, Moli ? re) and its modern descendant, the comedy of social criticism (Beaumarchais, Gogol, Chekhov, Shaw) .
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