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  • 4.00 Credits

    An overview of Western art music from ancient Greece to the music of Bach and Handel. We will study a core repertoire of music in its historical contexts and explore debates of what these pieces may have sounded like when they were first performed. Students will also learn about the field of music history and the tools available for music research at Drew. At least one class trip to a performance of music before 1750 will be required. Enrollment priority: Given to music majors and minors. Prerequisite: MUS 3. Offered fall semester in alternate years. Same as: LITST 731.
  • 4.00 Credits

    An in-depth study of Western art music from the Enlightenment to Late Romanticism. We will study representative works in historical contexts ranging from the emergence of modern concert life in the mid-1700s to nineteenth-century Romanticism, nationalism, and exoticism. Students will apply the knowledge gained from coursework to the understanding of recent musicological scholarship. At least one class trip to a performance of music studied in class will be required." Enrollment priority: Limited to those with junior or senior standing. Prerequisite: MUS 3. Offered spring semester in alternate years.
  • 4.00 Credits

    An exploration of the revolutionary changes in music composition, performance, and reception since 1900. Topics include the challenges of modernism and modernity, political upheaval, technological innovation, globalization, and the rising importance of popular music and jazz. Emphasis on learning effective communication of opinions about challenging musical repertoire through written assignments and oral presentations. At least one class trip to a performance of music studied in class will be required. Enrollment priority: Limited to those with junior or senior standing. Prerequisite: MUS 3. Offered fall semester in alternate years.
  • 4.00 Credits

    An in-depth style analysis technique developed by Jan LaRue of New York University. Musical style will be studied from five basic viewpoints: manipulation of timbre, harmony, melody, rhythm, and form. The first half of the course will concentrate on these elements as they are utilized in works chosen from various historical periods. The second half of the course integrates the five basic elements into a cohesive analysis of four pivotal works from music history. Attention will be given to how different composers have utilized the same five elements to produce radically different stylistic results. Signature of instructor required for registration. Offered spring semester in alternate years.
  • 4.00 Credits

    A study of techniques developed in this century, applied to original composition work. Techniques derived from composers ranging from Bartok, Stravinsky, Prokofiev, and Britten to Ives, Cage, Oliveros, Glass, and Adams. Emphasizes developments since 1950, with investigation of factors leading to developing one's own style. Composing and presenting at least one moderate-length work and one large-scale work is also a goal. May be repeated once for credit. Prerequisite: MUS 60 or permission of instructor. Offered spring semester.
  • 2.00 Credits

    Private music instruction for students with advanced performance skills. Lessons are with affiliate artists appointed by the music department. Students must participate in at least one Works-in-Progress recital in the Concert Hall during each semester in which they are registered for the course. Separate sections for vocal, keyboard, guitar, strings, woodwinds, brass, and percussion lessons. All fees for such study are borne directly by the student and are in addition to the regular tuition charges and fees of the University. Limited scholarship aid is available at the discretion of the department. Graded Pass/Unsatisfactory. Course may be repeated. Signature of instructor required for registration. Offered every semester.
  • 4.00 Credits

    Musicians must be conversant with the instruments commonly used in compositions in western music. This course will study each instrument in the common-practice orchestra and include its history, construction, timbre (tonal quality) and individual writing techniques endemic to its tonal color. As the course progresses, these instruments will be combined into families (string, woodwind, brass and percussion) and then finally as a full orchestra. Students will work with music writing software and instrumental sampling software so they can hear the results of their orchestrations. Signature of instructor required for registration. Prerequisite: MUS 103 or permission of the instructor. Offered fall semester in alternate years.
  • 4.00 Credits

    Focus is on original composition using electronic sound systems developed over the past half century. Procedures examined include both analog and digital synthesis techniques ranging from a classic Moog Synthesizer to FM and wave table synthesis, MIDI (Music Instruments Digital Interface), sequencing, sampling, and algorithmic control. Goals include creation and presentation of several short works together with a final substantial composition. Enrollment priority: Enrollment priority: music majors and minors. Signature of instructor required for registration. Prerequisite: MUS 60 or permission of the instructor. Offered spring semester.
  • 4.00 Credits

    An in-depth study of a topic, viewpoint, or methodology in music history. Topic will vary according to faculty expertise and student interest. May be repeated as topic changes. Enrollment priority: Limited to those with junior or senior standing. Signature of instructor required for registration. Prerequisite: MUS 3. Offered spring semester in alternate years.
  • 2.00 Credits

    Instruction in vocal techniques, phonetics, diction, and sight reading in connection with the study and performance of representative choral music from the 12th century to the present. Where possible, students with skills in playing instruments are given the opportunity to participate as soloists, as accompanists, or as members of a chamber ensemble. Open to all students, faculty, and staff by audition. At most eight credits for instrumentaland/or vocal study may be counted toward the degree. Students seeking credit for Chorale must register in regular fashion each semester in which they seek credit. Graded Pass/Unsatisfactory. Course may be repeated. Signature of instructor required for registration. Offered every semester.
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