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Course Criteria
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3.00 Credits
Elizabeth Alexander. For description see under African American Studies.
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3.00 Credits
Caleb Smith. mw 4-5.15 WR,Hu (0) Amer The fiction of William Faulkner, with attention to literary, historical, and critical sources. Problems of history, memory, race, sexuality, and power. Other authors may include Poe, Hawthorne, Douglass, Anderson, Welty, and Morrison. engl439b/ amst 372b/ thst 365b, Contemporary American Drama. Marc Robinson. For description see under Theater Studies. Amer
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3.00 Credits
Christopher R Mller. mw 2.30-3.45 WRHu (0) Cultural origins and development of the historical novel in Britain and America, from its journalistic roots in Defoe to recent fiction in the aftermath of 9/11. Authors include Charles Dickens, George Eliot, Virginia Woolf, Toni Morrison, Isaac Bashevis Singer, Primo Levi, Philip Roth, Don DeLillo, and Claire Messud. Supplementary readings in criticism and theory of the novel.
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3.00 Credits
Robert Stepto. m 1.30-3.20 WRHu (0) Amer The complete works of Ralph Ellison and related works (in various art forms) of his contemporaries, including Wright, Baldwin, Bearden, and Louis Armstrong.
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3.00 Credits
Jessica Brantley, Jessica Pressman. w 2.30-4.20 Hu (0) The history of the book approached through the intersection of medieval manuscript culture and contemporary digital culture. Preprint and postprint technologies considered in attempts to define a book, an author, and the act of reading.
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3.00 Credits
Langdon Hammer. t 2.30-4.20, 1 htba WR (0) Writing of prose at the intermediate level. Daily assignments of c. 300 words, a weekly lecture, and a weekly tutorial. Application forms available on the Web by mid-November. Application deadline: noon on Friday, December 11, 2009. Enrollment limited to sophomores, juniors, and seniors. Counts as a nonfiction course in the writing concentration.
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3.00 Credits
Workshops in the writing of drama, fiction, nonfiction, or poetry. Assignment to a specific course is made at the time of admission. Open only to upperclassmen on the basis of their work, a sample of which should be submitted to 107 lc. Consult www.yale.edu/english/undergraduate.html for applications and due dates. The prerequisite for these workshops is one previous course in English or in another literature, or permission of the instructor.
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3.00 Credits
J. D. McClatchy. m 1.30-3.20 Meets RP (0) A study of the writing of verse through a consideration of its use in a range of poems and through weekly assignments.
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3.00 Credits
452a: m 1.30-3.20 (0) Emily Barton 452b: f 9.25-11.15 (0) Staff Emphasis on the writing of short fiction. Criticism of student work; rhetorical and technical exercises in narrative form, genre, and style; readings in classical and contemporary fiction. Frequent conferences.
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3.00 Credits
Donald Margulies. t 2.30-5 (0) A seminar and workshop in writing for the stage. Readings emphasize contemporary plays, with some theory. Writing assignments include weekly exercises and the execution of a one-act play.
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