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  • 3.00 Credits

    John Lehr. wf 1.30-3.20 Meets RP (0) A concentrated study of operations required in the use of stand cameras, or view cameras. Student work is discussed in regular critiques. Review of a significant photographic tradition. Introduction to various methods of contact printing, including platinum printing and other alternative processes. Students are encouraged to employ whatever digital training they have previously had. Materials fee: $150. Prerequisite: art 237a or 238b or permission of instructor, or, for those intending to photograph in color, art 377a or b.
  • 3.00 Credits

    Jeffrey Stuker and staff. Meets RP (0) 395a: th 3.30-5.20395b: w 1.30-3.20 Ongoing visual projects addressed in relation to historical and contemporary issues. Readings, slide presentations, critiques by School of Art faculty, and gallery and museum visits. Critiques address all four areas of study in the Art major. Prerequisite: at least four courses in Art. Required for Art majors. art 401a, Advanced Photography. Gregory Crewdson. mw 10.30-12.20 Meets RP (0) An exploration of the practice of photography, either analog or digital. Student work is discussed in regularcritiques, and lectures are framed around the aesthetic concerns that the work provokes. Materials fee: $150 per term. Prerequisites: art 377a or b or 379b, and, for those working digitally, art 138a or b. Required for Art majors concentrating in photography.
  • 3.00 Credits

    Samuel Messer F RochelleFeinsteinSp m 3.30-7.20, w 3.30-5.20 Meets RP (0) Development of individual themes through independent studio practice and projects. Studio work and discussion of pertinent topics in historical and contemporary painting. Senior Art majors in the painting concentration are encouraged to take art 431b in conjunction with art 495b. May be taken more than once. Materials fee: $75 per term. Prerequisites: art 330a and 331b.
  • 3.00 Credits

    Jonathan Andrews. th 12.30-3.20 (0) A yearlong workshop designed primarily for Art and Film Studies majors making senior projects. Each student writes and directs a short fiction film. The first term focuses on the screenplay, production schedule, storyboards, casting, budget, and locations. In the second term students rehearse, shoot, edit, and screen the film. Materials fee: $150. Enrollment limited to 8. Priority to majors in Art and in Film Studies. Prerequisite: art 341a or b.
  • 3.00 Credits

    Staff. mw 1.30-3.20 Meets RP (0) Self-directed work in sculpture. Group discussion of student projects, with readings, slides, and videos that address current art practices. Regular individual and group critiques. Materials fee: $75. Enrollment limited to 12. Prerequisite: art 345a or 346b or equivalent, or permission of instructor
  • 3.00 Credits

    art 448a, Sculpture and Questions of Definition. Jessica Stockholder. mw 1.30-3.20 Meets RP (0) A studio seminar that considers the nature of sculpture. The conventional definition of sculpture (being concerned with volume and mass in space) scrutinized in view of artwork that falls out of other categories into "sculpture." Student work considered in the context of conventional categories of sculpture, painting, graphic design, and photography. Art's responsiveness to its context and questions of authorship, process, and vulnerability
  • 3.00 Credits

    Marie Lorenz. tthf 3.30-5.20 Meets RP (0) Individual projects in a range of media: relief methods, etching, lithography, and silkscreen. Group projects to create a suite of prints or a book. Emphasis on contemporary printmaking practices that are both traditional and transmedia. Materials fee: $150. Recommended to be taken concurrently with art 331b or 431b. Prerequisite: at least one term of printmaking
  • 3.00 Credits

    Julian Bittiner, Henk van Assen, and staff. w 1.30-5.20 Meets RP (0) Aprobe into questions such as how an artist can be present as an idiosyncratic individual in the work that he or she produces, and how that work can still communicate on its own to a broad audience. Concentration on making graffiti, i.e., the design of a set of outdoor marks and tours for New Haven. A technological component is included, both in the metaphor of designing outdoor interaction as a way to learn about screen-based interaction, and in the final project to design an interface for a handheld computer. Materials fee: $150 per term. No prior technical experience required. Prerequisite: art 367a or 368b or permission of instructor
  • 3.00 Credits

    Consult the director of undergraduate studies. htba Meets RP (0) Independent work that would not ordinarily be accomplished within existing courses, designed by the student in conjunction with a School of Art faculty member. A course proposal must be submitted on the appropriate form for approval by the director of undergraduate studies and the faculty adviser. Expectations of the course include regular meetings, end-of-term critiques, and a graded evaluation.
  • 3.00 Credits

    Clint Jukkala. Meets RP (0) 495a: 2 htba495b: t 6.30-8.30 p.m. A project of creative work formulated and executed by the student under the supervision of an adviser designated in accordance with the direction of the student's interest. Proposals for senior projects are submitted on the appropriate form to the School of Art Undergraduate Studies Committee (usc) for review and approval at the end of the term preceding the last resident term. Projects are reviewed and graded by an interdisciplinary faculty committee made up of members of the School of Art faculty. An exhibition of selected work done in the project is expected of each student. Required for Art majors.
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