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Course Criteria
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3.00 Credits
Marc Robinson. th 1.30-3.20 WRHu (0) A study of selected plays by Maria Irene Fornes, Adrienne Kennedy, Sam Shepard, David Mamet, Wallace Shawn, Suzan-Lori Parks, and others. thst 369a/afam 369a/amst 370a/engl 364a/litr 271a, African American Theater
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3.00 Credits
KrystynaIllakowicz. For description see under Slavic Languages & Literatures.
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3.00 Credits
Acting for the Camera
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3.00 Credits
Emily Coates. t 2.30-4.20 Meets RP (0) An examination of the major movements in the history of concert and social dance, including ballet, tap, jazz, modern, musical theater, and different cultural forms. Exercises are used to illuminate analysis of the body in motion.
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3.00 Credits
Deb Margolin. mw 1.30-3.20 Hu Meets RP (0) Overview of the dramaturgical landscape and literary achievements of downtown theater artists in the 1980s and 1990s. The hybridization of performance art and theater in the late twentieth century. Attention both to the history of performance and to the analysis and performance of texts from the period.
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3.00 Credits
Reginald Jackson. For description see under East Asian Languages & Literatures.
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3.00 Credits
Emily Coates. mw 2.30-4.20 Hu Meets RP (0) A studio exploration of American concert dance through the repertory of two key choreographers: Yvonne Rainer and Twyla Tharp. Emphasis on each artist's historical context, evolving aesthetic, and performance techniques. The course culminates in a final performance. ?Admission by audition during the first class meeting.
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3.00 Credits
Emily Coates. mw 2.30-4.20 Hu Meets RP (0) A seminar and workshop in dance-theater composition. Focus on tools for generating and interpreting movement, basic choreographic devices, and dance in dialogue with media, music, and other art forms. Choreographic projects developed over the course of the term are presented in a final performance. Admission by application.
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3.00 Credits
BettyannKevles. For description see under History.
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3.00 Credits
Marc Robinson. t 1.30-3.20 WR,Hu (0) Topics include the Living Theater, Happenings, Cunningham/Cage, Open Theater, Judson Dance Theater, Grand Union, Bread and Puppet Theater, Ontological-Hysteric Theater, Meredith Monk, Mabou Mines, Robert Wilson, and the Wooster Group.
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