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Course Criteria
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3.00 Credits
Toni Dorfman. m 3.30-5.20 Meets RP (0) An exploration of the collaboration between the director and the playwright in the creation of new work. Particular attention to the shaping of dramatic action, structure, and characters. Short scenes are written, staged, critiqued, and revised. Prerequisites: thst 210a; for directors: thst 300a; for playwrights: thst 320a, 321a, or with permission of instructor
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3.00 Credits
Donald Margulies. For description see under English Language & Literature.
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3.00 Credits
amst 328b/film 354b,Stage and Screen
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3.00 Credits
Lacina Coulibaly tth 1.30-3.20 Hu Meets RP (0) A practical and theoretical study of the traditional dances of Africa, focusing on those of Burkina Faso and their contemporary manifestations. Emphasis on rhythm, kinesthetic form, and gestural expression. The fusion of modern Euro
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3.00 Credits
Space,Character,and Design
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3.00 Credits
Comedy in Performance
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3.00 Credits
Dramatic Theory and Criticism
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3.00 Credits
Murray Biggs. mw 4-5.15 Hu (0) Study of plays in English from or about former British colonies, both before and after independence, including Ireland, Canada, Australia, South Africa, Nigeria, Ghana, the West Indies, and the Indian subcontinent.
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3.00 Credits
Robert Vorlicky. f 1.30-3.20 Hu (0) A reading-intensive survey of U.S. gay, lesbian, and transgender drama and performance across genre, periods, and casting variables. Plays examined both as texts and as material meant for production. Emphasis on historicizing the interplay between text and performance when critiquing the gay, lesbian, and trans-gender subject in theatrical representation.
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3.00 Credits
Introduction to Lighting Design
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