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Course Criteria
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3.00 Credits
Judith Malafronte. t 3.30-5.20 Hu Meets RP (0) A study of musical styles of the twelfth through early eighteenth centuries, including examination of manuscripts, musicological research, transcription, score preparation, and performance. Students in this class form the nucleus of the Yale Collegium Musicum and participate in a concert series at the Beinecke Library. Admission by audition only. May be repeated for course credit, but not for distributional credit. For audition information see www.yale.edu/courseinfo. musi 226a or b, Continuo Realization and Performance. IlyaPoletaev. 3htba For sections see www.yale.edu/courseinfo Hu Meets RP (0) Acquisition of skills necessa ry for a competent and expressive performance from thorough-bass. Learning of figures, honing of voice-leading skills, and investigation of various historical and national styles of continuo playing. Regular class performances, either independently or with an instrumentalist or singer. Open to pianists, harpsichordists, organists, guitarists, and lutenists, although instruction is primarily at the keyboard. Admission by audition only. May be repeated f or course credit, but not for distributional credit. For audition information see www.yale.edu/ courseinfo.
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3.00 Credits
Robert Mealy. m 7-8.50 p.m. Hu Meets RP (0) Techniques and styles of historical instrumental performance, concentrating on virtuosic chamber music of the seventeenth and eighteenth centuries. Emphasis on fluency in various musical languages. Study of original musical sources and contemporary writing about performance. Admission by audition only May be repeated for course credit, but not for distributional credit. For audition information see www.yale.edu/courseinfo.
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3.00 Credits
Annette Jolles. f 1.30-3.20 Hu Meets RP (0) The structure and meaning of traditional and contemporary musical theater repertoire. Focus on ways to "read" a work, decipher compositional cues for character and action, facilitate internalization of material, and elicit lucid interpretations. For singers, pianists, and directors . Prerequisites : musi 211 a o r b and 219a or b, or with permission of instructor Admission by audition only. May be repeated forcourse credit, but not for distributional credit. For audition information see www.yale.edu/courseinfo.
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3.00 Credits
Annette Jolles. f 1.30-3.20 Meets RP (0) Study of basic elements of the collaborative process and their effect on musical theater performance. Topics include choreography, music direction, and originating new works. Analysis of texts, scripts, and taped or filmed performances; applications in students' own performance. Prerequisites: musi 211a or b and 219a or b, or with permission of instructor. Admission by audition only. May be repeated for course credit, but not for distributional credit. For audition information see www.yale.edu/ courseinfo.
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3.00 Credits
Daniel Egan. m 1.30-3.20 WR,Hu Meets RP (0) Critical examination of relevance and context in the history of the American musical theater. Historical survey, including nonmusical trends, combined with text and musical analysis.
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3.00 Credits
R. HowardBloch, Margot Fassler. For description see under Humanities.
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3.00 Credits
Daniel Harrison, Jason Summach. mw 10.30-11.20, 1 htba Hu (33) A survey of various formal elements of pop/rock music and their combinations, deformations, and extensions. Focus on music from 1960 to 1990, though earlier and later repertories are included. Introduction to basic structures common to Western music (melody, harmony, rhythm) and specific to pop/rock (groove, hook, riff). No prerequisites. Enrollment limited to 45.
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3.00 Credits
Patrick McCreless. tth 9-10.15, 1 htba Meets RP (0) Studies in the theory, analysis, and composition of sixteenth-century modal polyphony. Prerequisite: musi 211a or b. Enrollment limited to 18. Preference to Music majors according to class.
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3.00 Credits
Michael Friedmann. tth1-2.15 Hu (0) Intermediate studies in the theory, analysis, and composition of the music of the late eighteenth and nineteenth centuries. Prerequisite: musi 211a or b. Enrollment limited to 14. Preference to Music majors according to class. ( Formerly musi 311b)
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3.00 Credits
Sarah Weiss.
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